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Dolly Parton’s First Posthumous Recording Is Now Released

Famous Times Staff 2 on September 12, 2026

Dolly Parton’s first posthumous recording has been released as part of Where the Soul Never Dies: Celebrating 80 Years of The Stanley Brothers. Parton recorded “Bound to Ride” during a 2022 COVID-19 surge, while the tribute album also features Willie Nelson, Sierra Ferrell, Jamey Johnson and other country and bluegrass artists.

Key Takeaways

  • “Bound to Ride” is Dolly Parton’s first posthumous release.
  • Parton recorded her vocal separately at her own studio during a COVID-19 surge around 2022.
  • The recording appears on Where the Soul Never Dies: Celebrating 80 Years of The Stanley Brothers.
  • The album includes performances from Willie Nelson, Sierra Ferrell, Jamey Johnson, Dierks Bentley, Rhiannon Giddens and other artists.
  • The album is scheduled for release on October 16, followed by a Nashville tribute performance on October 28.

Dolly Parton’s ‘Bound to Ride’ Receives Its Posthumous Release

“Bound to Ride” has become the first Dolly Parton recording released after her death, giving listeners a previously recorded performance tied directly to the musical traditions represented by the Stanley Brothers. The traditional song appears on Where the Soul Never Dies: Celebrating 80 Years of The Stanley Brothers, an album built around the duo’s contribution to country and bluegrass music.

Parton recorded her vocal for the song separately from the rest of the album’s musicians. The recording took place at her own studio during a COVID-19 surge around 2022, when the production team used a different approach for her contribution.

The album is scheduled for release on October 16. Its lineup includes artists from country, bluegrass and Americana, with the recordings covering songs associated with the Stanley Brothers and their repertoire.

“Bound to Ride” also connects Parton’s recording to the Stanley Brothers’ 1964 version of the traditional song. The brothers helped popularize the song through their recording, making it a direct link between Parton’s performance and the material being honored by the tribute project.

The release therefore centers on a recording completed years before its public release rather than a new studio session. Parton’s vocal was preserved for the tribute album and has now been issued as part of the project.

Parton’s Vocal Was Recorded Separately

The production circumstances shaped the arrangement of “Bound to Ride.” While most of the tribute album’s tracks were recorded live in the studio, Parton’s vocal was recorded independently during the 2022 COVID-19 surge.

The First Ladies of Bluegrass had already recorded a backing track for the song. The group includes Alison Brown on banjo, Becky Buller on fiddle, Sierra Hull on mandolin, Missy Raines on bass and Molly Tuttle on guitar.

The musicians rearranged “Bound to Ride” for the project and added a newly written eight-bar bridge based on an obscure verse. Buller also recorded a scratch vocal while the musicians developed the arrangement and worked around the key intended for Parton’s performance.

The separate recordings were later combined to create the finished track. Parton’s performance included references to the individual First Ladies of Bluegrass, connecting her vocals directly to the musicians who prepared the backing arrangement.

The recording also sits within a wider country and Americana context represented by contemporary artists on the project. FamousTimes has previously covered music releases drawing from the same roots-oriented traditions, including recent country music releases.

Parton Recorded the Stanley Brothers Song During 2022

Parton’s contribution was recorded at her own studio around 2022, during a period when the production team was taking precautions because of a COVID-19 surge. Her vocal session differed from the live studio approach used for most of the other recordings on the album.

The song itself comes from the traditional repertoire associated with the Stanley Brothers. Carter and Ralph Stanley recorded “Bound to Ride” in 1964, helping establish the song within the duo’s body of work.

The Stanley Brothers tribute project was conceived to celebrate 80 years of the group. The album was also timed to the Stanley Brothers’ long-delayed induction into the Country Music Hall of Fame.

Carter Stanley and Ralph Stanley began performing together in the mid-1940s with the Clinch Mountain Boys. Their music combined string-band traditions with mountain ballads and church singing learned in southwestern Virginia, along with influences from the Carter Family and Bill Monroe.

That musical background provides the direct context for Parton’s selection of “Bound to Ride.” Her recording places a previously completed performance within an album specifically devoted to the Stanley Brothers’ repertoire and influence.

The project also includes Shawn Camp, whose songwriting career has been connected to Nashville’s country tradition. His inclusion is notable alongside the other established artists appearing across the collection, including Willie Nelson.

A separate Nashville songwriting honor recently covered by FamousTimes also involved Camp, who was selected for the 2026 Nashville Songwriters Hall of Fame class.

First Ladies of Bluegrass Arranged the New Backing Track

The First Ladies of Bluegrass prepared the instrumental foundation for Parton’s version of “Bound to Ride.” Brown, Buller, Hull, Raines and Tuttle each contributed to the arrangement, covering banjo, fiddle, mandolin, bass and guitar.

The group developed the new arrangement while masked around a studio coffee table. Buller provided a scratch vocal in an approximation of the key expected for Parton’s eventual recording.

The arrangement also contains an eight-bar bridge newly written from an obscure verse. That addition gives the tribute version a distinct structure while retaining the traditional song at its center.

Parton subsequently recorded her vocal separately at her studio. The producers then incorporated her performance with the backing track prepared by the First Ladies of Bluegrass.

The finished recording also includes Parton calling out the members of the group by name during the song. The performance thus contains both the traditional material associated with the Stanley Brothers and a newly assembled arrangement created specifically for the tribute album.

The production approach differs from the album’s primary recording method, which involved musicians performing together live at the Nashville studio. Parton’s separate session allowed her contribution to be incorporated into the same project without requiring her to participate in the group recording session.

The combination of traditional material and contemporary roots musicians also fits within the broader Americana field. Another FamousTimes music feature has covered Americana and roots music through a recent album project.

Stanley Brothers Tribute Album Features Major Country Artists

Where the Soul Never Dies: Celebrating 80 Years of The Stanley Brothers brings together a broad lineup of country, bluegrass and Americana performers. Willie Nelson and Sierra Ferrell perform “I’ll Fly Away,” while Jamey Johnson and Shawn Camp appear on “Rank Strangers to Me.”

Dierks Bentley and Della Mae perform “How Mountain Girls Can Love.” Jim Lauderdale and the Travelin’ McCourys contribute “Riding That Midnight Train,” while the Nitty Gritty Dirt Band performs “Think of What You’ve Done.”

Rhiannon Giddens and Dirk Powell appear on “Little Birdie.” Ralph Stanley II and Tim O’Brien perform “Mother No Longer Awaits Me at Home,” and the group I’m With Her performs “Going Up Home to Live in Green Pastures.”

The album also includes Steve Martin and Ed Helms on “Pardon Me, Stranger,” a new version based on a Stanley Brothers comedy routine. Brown and Martin wrote portions of the new song, while Martin and Helms developed new jokes for the performance.

The producers’ stated purpose for the project is to introduce listeners to the Stanley Brothers’ role in country, bluegrass and Americana music. The brothers also influenced artists including Bob Dylan and Bruce Springsteen.

The collection therefore extends beyond a single tribute performance. Its track list pairs established artists from several generations with songs and musical material associated with Carter and Ralph Stanley.

Willie Nelson’s participation also connects the project to an artist who has appeared throughout FamousTimes’ coverage of country music and Nashville songwriting. The album’s lineup brings his contribution together with artists representing different generations of country, bluegrass and Americana.

Nashville Tribute Performance Is Scheduled for October 28

The Stanley Brothers celebration will continue with a live tribute at Nashville’s CMA Theater on October 28. Alison Brown and Garry West are scheduled to bring together artists from the album for the performance, although the full group of participating performers has not been announced.

The live event follows the album’s scheduled October 16 release. The two dates establish a sequence for the project, with the recorded tribute arriving first and the Nashville performance following later in the month.

The album was produced by Brown and West after industry veteran J. Tayloe Emery conceived the project with Ralph Stanley II. Emery brought the concept to Brown and West, who then produced the recordings at their Nashville headquarters.

West said the producers hope younger musicians will continue performing the Stanley Brothers’ music while creating new versions of the material. The album uses that approach by pairing traditional songs with arrangements and performances from contemporary country, bluegrass and Americana artists.

The project also connects the Stanley Brothers’ catalog with the Country Music Hall of Fame induction planned around their long-delayed recognition. Parton’s “Bound to Ride” forms one part of that larger collection, preserving her previously recorded performance alongside contributions from Willie Nelson, Sierra Ferrell, Jamey Johnson, Dierks Bentley, Rhiannon Giddens and others.

Frequently Asked Questions

What is Dolly Parton’s first posthumous recording?

Dolly Parton’s first posthumous recording is “Bound to Ride.” The song is included on Where the Soul Never Dies: Celebrating 80 Years of The Stanley Brothers.

When did Dolly Parton record “Bound to Ride”?

Parton recorded her vocal around 2022 during a COVID-19 surge. She recorded separately at her own studio rather than participating in the live studio sessions used for most of the tribute album.

What Stanley Brothers tribute album features Dolly Parton?

Parton appears on Where the Soul Never Dies: Celebrating 80 Years of The Stanley Brothers. The album is scheduled for release on October 16.

Which artists appear on the Stanley Brothers tribute album?

The album features Willie Nelson, Sierra Ferrell, Jamey Johnson, Shawn Camp, Dierks Bentley, Della Mae, Rhiannon Giddens, Dirk Powell, Steve Martin, Ed Helms and other artists.

When will the Stanley Brothers tribute album be released?

Where the Soul Never Dies: Celebrating 80 Years of The Stanley Brothers is scheduled for release on October 16. A live tribute connected to the project is scheduled for October 28 at Nashville’s CMA Theater.

Practical Magic 2 Targets $40 Million Opening Weekend

Famous Times Staff 2 on September 11, 2026

Practical Magic 2 is projected to open with $30 million to $40 million in North American theaters as Sandra Bullock and Nicole Kidman return as Sally and Gillian Owens. The Warner Bros. sequel is targeting the No. 1 position and could end Spider-Man: Brand New Day’s six-weekend run at the top.

Key Takeaways

  • Practical Magic 2 is projected to earn $30 million to $40 million from about 4,000 North American theaters.
  • Sandra Bullock and Nicole Kidman reprise their roles as sisters Sally and Gillian Owens.
  • The sequel is targeting the No. 1 position at the US box office.
  • Warner Bros. produced the film for $75 million.
  • The movie is also projected to earn $18 million to $25 million internationally.

Practical Magic 2 Targets a $30 Million to $40 Million US Debut

The sequel is expected to generate between $30 million and $40 million during its opening weekend in North America. The projection covers approximately 4,000 theaters and places the film in direct competition for the top position on the domestic box office chart.

The projected domestic opening gives Practical Magic 2 a clear target: surpass the current performance of Spider-Man: Brand New Day and take the No. 1 position. The superhero film has held the top spot for six consecutive weekends.

A $30 million opening would place the sequel at the lower end of its current projection, while a $40 million start would reach the upper end. The domestic estimate is therefore tied directly to the film’s ability to attract audiences across a wide theatrical release.

The film is also expected to generate between $18 million and $25 million internationally during its opening period. Combined with the domestic projection, those figures place the movie’s potential initial worldwide sales between $48 million and $65 million.

Warner Bros. produced the sequel for $75 million. Its opening performance will provide the first major theatrical measure of the film’s audience response.

For comparison, another recent theatrical release, The Mandalorian and Grogu, was projected to generate about $102 million domestically during its opening weekend, illustrating the range of opening forecasts for major franchise films.

Sandra Bullock and Nicole Kidman Return as the Owens Sisters

Sandra Bullock and Nicole Kidman return to the roles of Sally and Gillian Owens, the sisters at the center of the Practical Magic story. Their return connects the sequel directly to the original film and provides the central celebrity pairing for the new release.

Kidman’s continued visibility in major entertainment events has also kept her in the public spotlight. Her recent Oscars red carpet appearance received coverage earlier this year, adding to her recent presence across film and entertainment news.

The original Practical Magic was based on Alice Hoffman’s novel and followed Sally and Gillian, sisters descended from a long line of witches. The characters faced a curse connected to the men they fell in love with.

The sequel moves the story forward 25 years. Sally and Gillian’s daughters uncover hidden family secrets and attempt to break the curse that has affected their family.

Dianne Wiest and Stockard Channing reprise their roles from the original film. Joey King and Maisie Williams join the sequel’s cast.

The cast therefore combines performers from the original movie with new actors playing members of the next generation of the Owens family. The family connection is central to the sequel’s story and separates its narrative from the events of the first film.

Susanne Bier directed the sequel. Warner Bros. is responsible for the film’s production and theatrical release.

Warner Bros. Sets the Sequel Across 4,000 North American Theaters

The planned release across about 4,000 North American theaters gives Practical Magic 2 a broad domestic footprint. The scale of the release corresponds with the film’s projected $30 million to $40 million opening range.

The domestic theatrical performance will determine whether the sequel reaches the top of the box office chart. Its principal competition is Spider-Man: Brand New Day, which has remained No. 1 for six weekends.

The Spider-Man film has also received extensive coverage from FamousTimes, including Spider-Man early screening details before its nationwide theatrical release.

The comparison places the sequel in a direct theatrical contest with a film that has already established a sustained run at the domestic box office. Practical Magic 2 must therefore generate a strong opening across its wide release to claim the top position.

The sequel’s $75 million production cost provides another financial figure against which its theatrical performance can be measured. Its projected opening represents the initial stage of that theatrical run rather than its final box office result.

The film’s projected domestic range also gives theaters a specific expectation for its first weekend. At the upper end of the estimate, the sequel would generate $40 million in North America. At the lower end, it would open with $30 million.

Those projections cover the initial domestic weekend and do not represent the film’s eventual total earnings.

International Markets Add to Practical Magic 2’s Opening Projection

Beyond North America, Practical Magic 2 is projected to earn between $18 million and $25 million from 77 international territories.

The international estimate expands the film’s projected opening revenue beyond its domestic performance. When the two projections are combined, the sequel is expected to generate between $48 million and $65 million in initial global sales.

The international projection represents a separate component of the film’s opening performance. North America accounts for the larger projected range, while the 77 overseas territories provide an additional $18 million to $25 million.

The combined estimate also places the sequel within reach of a substantial portion of its $75 million production cost during its initial worldwide run. The projection does not determine the film’s eventual theatrical total.

The international release gives the film a wider audience beyond its North American opening. Its performance across the 77 territories will form part of the movie’s overall theatrical results.

The domestic and international figures together provide the initial box office forecast for the sequel. The domestic opening remains the key contest for the No. 1 position, while the overseas estimate contributes to the film’s projected global start.

Recent FamousTimes coverage of a major theatrical box office opening also examined domestic and international projections for a wide-release franchise film.

Spider-Man: Brand New Day Faces a New Box Office Challenge

Spider-Man: Brand New Day enters the weekend after six consecutive weekends at No. 1 at the domestic box office. Practical Magic 2 is the new release projected to challenge that position.

The Spider-Man film has already generated $923 million in North America and $2.4 billion globally. Its domestic total places it above the $900 million threshold and leaves it within range of another major domestic box office milestone.

The film is projected to pass the domestic total of Star Wars: The Force Awakens, which earned $936 million without inflation adjustment, to become the highest-grossing movie ever at the domestic box office. The projected milestone is separate from the weekend competition involving Practical Magic 2.

The new sequel enters theaters with a different audience proposition. Practical Magic 2 returns Bullock and Kidman to characters from the original film, while Spider-Man: Brand New Day continues the Spider-Man franchise with Tom Holland as Peter Parker.

The box office contest will place the two films alongside other titles remaining in theaters, including The Odyssey and Coyote vs. Acme. The addition of Practical Magic 2 gives the weekend a new potential No. 1 title while established releases continue their theatrical runs.

The sequel’s projected $30 million to $40 million opening range provides the benchmark for its challenge. Reaching the upper end would give the film a stronger position in the domestic weekend race, while the lower end would leave the result closer to the existing competition.

Frequently Asked Questions

How much is Practical Magic 2 expected to make in its opening weekend?

Practical Magic 2 is projected to earn $30 million to $40 million in North America during its opening weekend. The projection covers approximately 4,000 theaters.

Who stars in Practical Magic 2?

Sandra Bullock and Nicole Kidman return as sisters Sally and Gillian Owens. Dianne Wiest and Stockard Channing also reprise their roles, while Joey King and Maisie Williams join the sequel.

When does Practical Magic 2 open in theaters?

Practical Magic 2 is opening in theaters as part of the current domestic box office weekend covered by the projection. The film is scheduled for release across about 4,000 North American theaters.

Is Practical Magic 2 expected to reach No. 1 at the US box office?

Yes. The film’s projected $30 million to $40 million domestic opening is intended to challenge Spider-Man: Brand New Day for the No. 1 position after the Spider-Man film’s six-weekend run at the top.

How much did Warner Bros. spend to produce Practical Magic 2?

Warner Bros. produced Practical Magic 2 for $75 million. The film’s projected opening includes an estimated $30 million to $40 million from North America and $18 million to $25 million from 77 international territories.

Kaia Gerber Launches First Re/Done Capsule Collection

Famous Times Staff 2 on September 10, 2026

Kaia Gerber has introduced her first Re/Done capsule collection, expanding her involvement with the Los Angeles-based fashion label into a 60-piece creative collaboration. Titled Kaia Vol. 1, the collection was developed with Re/Done head of design Meredith Kahn and draws on references including librarian style and Jane Birkin’s wardrobe.

Key Takeaways

  • Kaia Gerber launched her first capsule collection with Re/Done.
  • Kaia Vol. 1 contains 60 pieces across multiple wardrobe categories.
  • Gerber developed the collection with Re/Done head of design Meredith Kahn.
  • Librarian style and Jane Birkin’s wardrobe served as references for the collection.
  • Gerber has an investment and creative relationship with Re/Done.

Kaia Gerber Introduces Her First Re/Done Capsule Collection

The 60-piece collection gives Gerber a direct creative role in developing clothing with Re/Done, extending her relationship with the Los Angeles-based label beyond modeling. The project is titled Kaia Vol. 1 and represents her first capsule collection with the brand.

Gerber’s involvement with Re/Done includes an investment in the label as well as a creative partnership. She also serves on the company’s advisory board, placing her involvement across both the business and creative sides of the fashion company.

The collection was developed with Meredith Kahn, Re/Done’s head of design. Gerber and Kahn worked together on the range, bringing Gerber’s stated references into a collection produced through the label.

The collaboration gives Gerber a role in determining the clothes included in the capsule rather than limiting her participation to modeling or appearing in fashion campaigns. Her involvement is therefore tied directly to the development of the collection.

For Re/Done, the project connects the label’s existing fashion identity with Gerber’s personal references. The resulting collection contains pieces drawn from several areas of a wardrobe, rather than focusing on a single clothing category.

Celebrity involvement in fashion can also extend beyond campaign appearances and into creative and business roles, as seen in coverage of celebrity fashion collaborations involving public figures and established labels.

Kaia Vol. 1 Includes 60 Pieces Across Multiple Categories

Kaia Vol. 1 consists of 60 pieces, with the collection covering clothing and accessories intended to work across different parts of a wardrobe.

The range includes bohemian blouses, cropped polos and a silky babydoll dress. These pieces form part of the collection’s varied approach to tops and dresses while maintaining the references selected by Gerber and Kahn.

The collection also includes tailored pieces. Pinstriped blazers add a more structured element, while leather outerwear and shearling coats extend the range into jackets and heavier layers.

The selection allows the capsule to move between more casual and more polished wardrobe pieces. Its categories include blouses, polos, dresses, blazers and outerwear, giving the 60-piece collection several distinct clothing options.

The range was not presented as a single-style uniform. Instead, its individual pieces draw from the different references behind Gerber’s creative direction.

The collection’s name, Kaia Vol. 1, also identifies it as a distinct capsule associated with Gerber. The title places her name directly within the project while retaining its connection to Re/Done.

The broader fashion coverage of models and designers includes projects such as Bhavitha Mandava’s Chanel runway debut, where a model’s role within a major fashion house formed the central development.

Gerber Developed the Collection With Re/Done Designer Meredith Kahn

Meredith Kahn, Re/Done’s head of design, worked with Gerber on the development of Kaia Vol. 1. Kahn’s role connects the collection to Re/Done’s design operation while Gerber supplied the personal references that informed the range.

The collaboration between the model and the label’s head of design covers the collection’s overall wardrobe direction. Gerber’s participation therefore extends beyond lending her name to the finished pieces.

Gerber already has an investment relationship with Re/Done and is a creative partner with the company. She also holds a position on its advisory board. The capsule collection adds a direct design component to those existing roles.

The arrangement places Gerber across several areas of the label’s activities. Her connection to Re/Done includes financial participation, creative work and an advisory role, while the capsule provides a specific fashion collection through which that relationship is expressed.

Kahn’s involvement provides the collection with a direct connection to Re/Done’s design team. The two worked together on the 60-piece range, combining Gerber’s chosen references with the label’s design process.

The project also establishes Kaia Vol. 1 as a collaboration between Gerber and Re/Done rather than a standalone collection produced independently of the label. Re/Done remains the fashion company behind the capsule, while Gerber participates in its creative development.

Celebrity-led fashion ventures can take several forms, including business investments and creative partnerships. A broader look at celebrity entrepreneurship and fashion provides additional context for the business roles public figures can hold alongside their entertainment careers.

Librarian Style and Jane Birkin Inform the Collection

Gerber drew from two specific references when developing the collection: librarian style and Jane Birkin’s wardrobe.

The librarian reference informs the collection’s more restrained and structured elements. Pieces such as pinstriped blazers and tailored separates fit within that direction, while other garments introduce softer and more relaxed shapes.

Jane Birkin provides a separate reference point for the collection. Birkin’s wardrobe is associated with a mix of casual and polished pieces, and that influence appears alongside the librarian-inspired elements selected for Kaia Vol. 1.

The combination of these references gives the collection several distinct categories rather than a single visual direction. Bohemian blouses and a silky babydoll dress sit alongside pinstriped blazers, leather outerwear and shearling coats.

Cropped polos add another element to the range, while the outerwear selections provide heavier pieces within the 60-piece collection. The different garments allow the references to appear across multiple types of clothing.

The collection therefore uses specific style references as part of its design development. Rather than describing the range only through Gerber’s public image, the project identifies librarian style and Jane Birkin as direct sources for the clothes.

Those references were incorporated through Gerber’s collaboration with Kahn. The resulting pieces combine the selected inspirations with the collection’s range of blouses, polos, dresses, tailoring and outerwear.

Fashion coverage also includes broader reporting on different runway presentation styles, including the ways designers and models work together to present clothing.

Gerber Expands Her Creative Role With Re/Done

Gerber’s Re/Done collection adds a design project to an existing relationship with the label. Her connection to the company already includes an investment, creative partnership and advisory board position.

The capsule collection gives that relationship a defined fashion output through Kaia Vol. 1. Gerber worked directly with Kahn on the 60-piece range, contributing to the creative direction and references used in its development.

The project also places Gerber’s name within the title of the collection. Kaia Vol. 1 identifies the range with Gerber while maintaining its connection to Re/Done.

Her role differs from a conventional celebrity fashion appearance because the project involves the development of an entire capsule. The collection contains multiple clothing categories, including blouses, polos, dresses, blazers and outerwear.

Gerber’s involvement with the label consequently covers more than public-facing fashion work. Her investment and advisory role connect her to the company, while the creative partnership and capsule collection connect her directly to the development of clothing.

The collaboration with Kahn provides the structure for that creative work. Together, they developed the 60-piece range using librarian style and Jane Birkin’s wardrobe as the primary references identified for the collection.

The resulting project places Gerber in a direct creative position within Re/Done. Kaia Vol. 1 brings together her stated fashion references, Kahn’s role as head of design and Re/Done’s role as the Los Angeles-based label behind the collection.

Frequently Asked Questions

What is Kaia Gerber’s Re/Done collection?

Kaia Gerber’s Re/Done collection is a 60-piece capsule titled Kaia Vol. 1. Gerber developed the collection with Re/Done head of design Meredith Kahn.

How many pieces are in Kaia Vol. 1?

Kaia Vol. 1 contains 60 pieces. The collection includes categories such as blouses, polos, dresses, blazers and outerwear.

Who designed Kaia Gerber’s Re/Done collection?

Gerber developed the collection with Meredith Kahn, Re/Done’s head of design. Kahn worked with Gerber on the 60-piece capsule.

What inspired Kaia Gerber’s Re/Done capsule collection?

The collection draws on librarian style and Jane Birkin’s wardrobe as its stated references. Those inspirations appear across the range’s different clothing categories.

What is Kaia Gerber’s role with Re/Done?

Gerber has an investment and creative relationship with Re/Done and serves on the label’s advisory board. Her first capsule collection with the company adds a direct creative-development role to that relationship.

Sabrina Carpenter Wins First Emmy for ‘The Muppet Show’

Famous Times Staff 2 on September 9, 2026

Sabrina Carpenter has added an Emmy Award to her collection for The Muppet Show, where she served as an executive producer and performer. The Disney+ special won four Creative Arts Emmy Awards, giving Carpenter her first Emmy and bringing her halfway toward the EGOT milestone.

Key Takeaways

  • Sabrina Carpenter won her first Emmy for The Muppet Show.
  • Carpenter was an executive producer and performer on the Disney+ special.
  • The Muppet Show won four Emmy Awards at the Creative Arts Emmys.
  • Carpenter previously won two Grammy Awards for “Espresso” and Short n’ Sweet.
  • The Emmy leaves Carpenter needing an Oscar and Tony Award to complete an EGOT.

Sabrina Carpenter Earns Her First Emmy Award

The Emmy adds a new award category to Sabrina Carpenter’s career after she received recognition for her work on The Muppet Show. Carpenter served as both an executive producer and performer on the Disney+ special, giving her a producing credit alongside her on-screen role.

Carpenter’s Emmy win is tied directly to the special, which received four Creative Arts Emmy Awards. Her recognition therefore covers more than her appearance as a performer, with her executive producer role also forming part of her involvement in the production.

The award gives Carpenter an Emmy to add to the two Grammy Awards identified in the editorial record. She previously won Grammys for “Espresso” and Short n’ Sweet, giving her three of the four award categories associated with the EGOT designation.

Carpenter is now halfway to completing an EGOT, an acronym referring to an Emmy, Grammy, Oscar and Tony. She already has an Emmy and Grammy Awards, leaving the Oscar and Tony as the two remaining categories.

Her awards-season profile can also be viewed alongside other major entertainment recognition, including the 2026 MTV VMA nominations involving major music artists.

Carpenter Served as Producer and Performer on the Special

Carpenter’s involvement with The Muppet Show extended beyond performing. She served as an executive producer on the Disney+ special, making her part of the production team recognized through the Emmy-winning project.

Her dual role provides the direct connection between her Emmy and the special. The award was not simply recognition for a separate acting appearance; Carpenter was credited as an executive producer and performer on the project.

The special was released on Disney+, placing Carpenter in a television project built around the Muppets. Her participation combined a performance role with production responsibilities on the same project.

The combination of those roles also distinguishes the Emmy achievement from Carpenter’s previous Grammy wins. Her Grammys recognized her music work, while the Emmy recognizes her involvement in a television special as both a performer and executive producer.

That distinction gives the new award a separate place within Carpenter’s awards record. Her recognition now spans music and television through the Grammy and Emmy categories.

‘The Muppet Show’ Wins Four Creative Arts Emmys

The Muppet Show received four Emmy Awards at the Creative Arts Emmys. The special’s awards account for the production’s overall recognition and include the Emmy associated with Carpenter’s involvement.

The four Emmy wins establish the project as the central production behind Carpenter’s latest award. Her role as executive producer connects her directly to the special’s production, while her performer credit connects her to its on-screen cast.

The Disney+ special is therefore significant to Carpenter’s awards record because it brought together both sides of her involvement. She participated as a performer while also holding an executive producer position.

The project’s four Emmy wins also provide context for Carpenter’s individual achievement. Rather than being the only award received by the special, her Emmy was part of a wider set of Creative Arts Emmy recognition for The Muppet Show.

For Carpenter, the result adds television recognition to an awards collection that already includes Grammy wins. The new category expands the range of entertainment work represented by her major awards.

Her latest television recognition follows a music career that has included major award-show appearances, including performances connected to events such as the 2026 ACM Awards.

Carpenter Adds the Emmy to Her Grammy Awards

Carpenter entered the Emmy win with two Grammy Awards already credited to her. Those awards came for “Espresso” and Short n’ Sweet, establishing her previous recognition in music.

The Emmy creates a direct connection between Carpenter’s music career and her television work. Her Grammy awards came from her music releases, while the Emmy came through her role on The Muppet Show.

The distinction matters to the EGOT calculation because an EGOT requires awards from four separate institutions and categories: the Emmy, Grammy, Oscar and Tony. Carpenter now has awards in two of those four categories.

Her Emmy is therefore the second award type needed for the designation. The Grammy category was already represented in her awards collection, and the Emmy fills another part of the four-award combination.

Carpenter’s involvement in The Muppet Show also gives the Emmy a different professional dimension from her Grammy recognition. The special required her participation as an executive producer as well as a performer, while her earlier Grammy awards were tied to her music work.

The awards now listed in the blueprint cover music and television. The remaining EGOT categories are film and theater, represented by the Oscar and Tony awards.

The Emmy Brings Carpenter Halfway to EGOT

Sabrina Carpenter Wins First Emmy for ‘The Muppet Show’

Photo Credit: Unsplash.com

Carpenter now holds two of the four awards required for an EGOT: the Emmy and Grammy. Her Grammy recognition came through wins for “Espresso” and Short n’ Sweet, while the Emmy came through The Muppet Show.

The remaining awards required for an EGOT are an Oscar and a Tony. Carpenter therefore needs recognition in those two categories to complete the four-award combination.

The Emmy win does not itself constitute an EGOT. It gives Carpenter another of the required award types, leaving two categories still absent from her collection.

Her latest recognition also demonstrates the range of the project connected to the award. Carpenter was an executive producer and performer on The Muppet Show, while the Disney+ special received four Creative Arts Emmy Awards.

The award record now includes multiple Grammys and an Emmy. The specific Grammy wins for “Espresso” and Short n’ Sweet provide the music portion of the record, while the Emmy supplies the television award needed for the EGOT pathway.

Carpenter’s first Emmy is consequently tied to a single production with four Creative Arts Emmy wins. Her work as an executive producer and performer on the Disney+ special earned her a place among the project’s Emmy-recognized contributors.

The next two award categories in the EGOT calculation are the Oscar and Tony. Carpenter’s current awards record, as established here, contains the Emmy and Grammy portions of that four-award combination.

Frequently Asked Questions

What Emmy did Sabrina Carpenter win?

Sabrina Carpenter won her first Emmy for The Muppet Show. She was an executive producer and performer on the Disney+ special.

What was Sabrina Carpenter’s role on The Muppet Show?

Carpenter served as an executive producer and performer on the special. Her Emmy recognition is connected to her work on the Disney+ production.

How many awards did The Muppet Show win?

The Muppet Show won four Emmy Awards at the Creative Arts Emmys. Carpenter’s first Emmy was connected to the award-winning special.

How many awards does Sabrina Carpenter need for an EGOT?

Carpenter needs two more award types to complete an EGOT: an Oscar and a Tony. She already has an Emmy and Grammy Awards.

Which Grammy Awards has Sabrina Carpenter won?

Carpenter previously won two Grammy Awards for “Espresso” and Short n’ Sweet. Her Emmy win adds television recognition to those music awards.

George Clooney Warns of AI Risks to Film and Journalism

Famous Times Staff 2 on September 3, 2026

George Clooney AI concerns took center stage at the 83rd Venice Film Festival on Wednesday as the actor and filmmaker warned that artificial intelligence and deepfake technology are making it harder to distinguish genuine information from fabricated content. He also questioned current AI safeguards and raised concerns about concentrated media ownership.

Key Takeaways

  • Clooney warned that AI-generated content is making truth harder to distinguish from fiction.
  • He said deepfakes could lead people to dismiss genuine evidence as fake.
  • Clooney said he was unconvinced that current AI safeguards can keep pace with technological advances.
  • He linked concerns about AI with concerns over concentrated media ownership and journalism.
  • Clooney questioned the financial logic of Paramount’s proposed acquisition of Warner Bros.

George Clooney Raises AI Concerns at Venice Film Festival

Speaking to reporters at the Venice Film Festival, Clooney said advances in artificial intelligence were creating difficulties for journalists, governments and the public because fabricated material can become harder to distinguish from authentic information.

The actor said AI-generated content and deepfakes were undermining trust in information. He warned that the problem extends beyond identifying false material because widespread uncertainty can also affect the way people respond to genuine evidence.

Clooney said people could increasingly question whether information is real or fabricated. He described the resulting problem as one in which authentic material could be dismissed simply because audiences have become accustomed to the possibility that digital content has been generated or altered.

The actor connected the issue directly to journalism, saying the ability to establish whether information is genuine is essential to the public’s understanding of events.

Clooney was speaking in Venice while receiving the festival’s Golden Lion for Lifetime Achievement. The award recognizes his career as an actor and filmmaker, while his comments focused on the challenges artificial intelligence presents to film and journalism.

The discussion comes alongside entertainment coverage of AI-generated celebrity likenesses, including concerns about consent and the use of digitally recreated performers.

Deepfakes Raise Concerns About Trust in Information

Clooney said deepfake technology presents a particular problem because fabricated material can affect perceptions of genuine evidence.

He warned that once people become accustomed to questioning digital material, the same doubt can be applied to authentic photographs, videos or other evidence. The concern is not limited to false content being accepted as real; genuine information can also be rejected as fabricated.

Clooney described this effect as a form of damage to trust in information. If audiences cannot confidently distinguish between authentic and manipulated material, establishing the truth becomes more difficult.

His comments placed deepfakes within a wider concern about AI-generated content and the reliability of information reaching the public. Journalists, governments and members of the public all face the challenge of assessing whether material presented as evidence is genuine.

Clooney also expressed concern about the use of his own likeness after his death. He joked about the possibility of appearing in a commercial long after he was gone, using the example of a tampon advertisement to illustrate his concern about how AI could potentially reproduce a person’s likeness.

The comment also reflected his concern that existing protections may not fully address the ways AI technology could be used to reproduce or manipulate a person’s identity.

Clooney Questions Current AI Safeguards

Clooney said current safeguards had not made what he regarded as sufficient progress despite efforts by developers to address the risks associated with artificial intelligence.

He said AI developers were working rapidly on the technology but that he had not seen major progress in the effectiveness of safeguards. His concern centered on the ability of protections to keep pace with technological improvements.

The actor’s comments addressed both the creation of AI-generated material and the consequences of increasingly convincing fabricated content. His concern was that technological advances could outpace measures intended to help people identify manipulated material.

For the film industry, the issue also involves the use of a person’s likeness. Clooney’s remarks about his own image illustrated a concern about how artificial intelligence could potentially allow a recognizable person to appear in material without the circumstances that originally created the image.

His comments did not focus solely on film production. He also connected AI technology to the reliability of information used by journalists and consumed by the public.

The connection between the two areas was central to his warning: technology capable of creating convincing artificial material can affect both entertainment and the ability to establish whether information presented to the public is genuine.

Journalism Faces Concerns Over Concentrated Media Ownership

Clooney also raised concerns about the ownership of major news and information platforms, saying media ownership had become concentrated among a small number of wealthy individuals.

He referred to Jeff Bezos and Elon Musk while discussing ownership of major sources of information. Bezos owns the Washington Post, while Musk owns Twitter, which Clooney cited when discussing the concentration of media ownership.

The actor said the concentration of ownership was a concern for journalism. He described the state of journalism as continually facing challenges but said he believed information would ultimately find a way to reach the public.

His comments linked the issue of media ownership with his concerns about artificial intelligence. Both subjects, in his remarks, involved the public’s ability to determine which information can be trusted.

Clooney has also received recognition for campaigns promoting justice, and his comments in Venice included both media and political concerns alongside his discussion of AI.

The journalism discussion added another issue to his remarks about artificial intelligence. Rather than treating AI as a standalone technology issue, Clooney discussed it in relation to the institutions and platforms through which people receive information.

Clooney Voices Skepticism Over Paramount-Warner Deal

Clooney also expressed skepticism about Paramount’s proposed acquisition of Warner Bros., saying he did not see how the transaction would make financial sense.

He said media consolidation often led to job losses and could be difficult to complete. His comments added concerns about ownership and consolidation to his broader discussion of journalism.

His comments on the proposed deal also relate to consolidation in entertainment, including previous mergers and acquisitions involving major media companies.

The proposed Paramount-Warner deal was separate from Clooney’s remarks about artificial intelligence, but he discussed both subjects while addressing the state of the media industry in Venice.

Clooney said he was uncertain about the financial outcome of the proposed acquisition and indicated that its completion would have to be seen.

The actor was in Venice to receive the Golden Lion for Lifetime Achievement after nearly three decades of appearances at the festival. His connection with the event dates to 1998, when Out of Sight premiered there.

At 65, Clooney also spoke about aging while discussing his career recognition. He joked that getting older brought a degree of melancholy, including the realization that his teeth had once looked better.

His comments on AI, journalism and media ownership came during a festival appearance that combined recognition of his film career with discussion of the challenges facing information and media.

The Venice lifetime achievement honor was announced ahead of the 2026 festival and recognizes Clooney’s work as an actor, director and producer.

Frequently Asked Questions

What did George Clooney say about AI at the Venice Film Festival?

George Clooney said artificial intelligence was making it harder to distinguish truth from fiction. He also questioned whether current safeguards can keep pace with advances in AI technology.

What concerns did Clooney raise about deepfakes?

Clooney warned that deepfakes could undermine trust in genuine evidence. He said people may become more likely to dismiss authentic material as fake when fabricated content becomes harder to identify.

What did George Clooney say about AI safeguards?

Clooney said he had met leading AI developers but remained unconvinced that current safeguards were making enough progress. He said developers were working rapidly but that safeguards had not kept pace with technological improvements.

What did Clooney say about journalism and media ownership?

Clooney said media ownership had become concentrated among a small number of wealthy individuals. He cited Jeff Bezos and Elon Musk when discussing ownership of major sources of information and said the situation was a concern for journalism.

What did George Clooney say about the Paramount-Warner deal?

Clooney expressed skepticism about Paramount’s proposed acquisition of Warner Bros. He said he did not see how the transaction would make financial sense and noted that media consolidation can lead to job losses and be difficult to complete.

Miley Cyrus Teases New Music With Red-and-Black Campaign

Famous Times Staff 2 on September 1, 2026

Miley Cyrus has launched a red-and-black campaign across Instagram and her official website, with matching “COMING SOON” imagery previously seen on New York billboards. The activity follows her recent signing with Atlantic Records and points to another music-related announcement, although no specific song or album has been identified.

Key Takeaways

  • Miley Cyrus posted a captionless red-and-black image on Instagram on August 30.
  • Her official website adopted matching imagery and used “Miley” without her surname.
  • Similar “COMING SOON” Spotify billboards appeared in New York earlier in August.
  • Cyrus recently signed a new record deal with Atlantic Records.
  • No specific new song, album or release date has been announced.

Miley Cyrus Introduces a New Red-and-Black Visual Campaign

Miley Cyrus new music campaign began publicly on August 30 with a close-up red-and-black image of the singer’s face. Cyrus posted the image on Instagram without a caption, providing no song title, album title or release date.

The same visual treatment appeared on Cyrus’ official website, which was refreshed with matching imagery and a sign-up option for additional information.

The website also uses the name “Miley” without “Cyrus.” The name appears alongside the updated imagery and registration feature.

Cyrus’ most recent album, Something Beautiful, was released in 2025. The album followed Endless Summer Vacation, which was released through Columbia Records.

The new campaign uses Cyrus’ image as its central visual element rather than presenting a named album or song. The combination of the Instagram post, website update and sign-up feature establishes a coordinated digital campaign.

The August 30 post also gives the campaign a specific starting point on Cyrus’ social media accounts. Its lack of a caption leaves the visual itself as the primary information presented to followers.

Official Website Adopts Matching Miley Branding

Cyrus’ official website now carries the same red-and-black visual treatment seen in her Instagram post. The page features an image of the singer and an option for visitors to sign up for additional information.

The website uses “Miley” as its primary displayed name rather than “Miley Cyrus.” That change appears within the refreshed campaign rather than on a page identifying a specific album or song.

The website update followed Cyrus’ Instagram post on August 30. Both platforms use the same red-and-black imagery, giving the campaign a consistent presentation across her online channels.

The sign-up feature provides a way for visitors to receive further information. The page does not identify a release date or provide a title for a new music project.

The digital campaign also follows Cyrus’ recent record-label change. She signed with Atlantic Records earlier in the summer, adding a new label relationship ahead of her next recorded work.

The combination of a new website presentation and a new social media image gives Cyrus’ current campaign a distinct visual identity. The name “Miley” is another identifiable feature of the updated website.

“COMING SOON” Billboards Preceded the Latest Campaign

Similar red-and-black imagery appeared on Spotify billboards in New York City earlier in August. The billboards displayed the words “COMING SOON” without identifying an artist.

The billboard imagery preceded Cyrus’ August 30 Instagram post and the matching update to her official website. The repeated visual style connects the outdoor advertising with the material now appearing on Cyrus’ digital platforms.

The New York billboards did not provide a song title, album title or release date. The “COMING SOON” wording indicated forthcoming material without specifying the project.

Cyrus later posted the red-and-black image directly to Instagram, putting her name and likeness alongside the visual campaign. Her website adopted the same design and added the sign-up feature.

The campaign has therefore appeared across multiple formats, including outdoor advertising, Instagram and Cyrus’ official website. The materials share the same color scheme and visual presentation.

Cyrus’ previous album, Something Beautiful, was released in 2025. The current campaign follows that release and arrives after her move to Atlantic Records.

For additional context on current music releases, Cardi B’s latest music video also received coverage after its August 28 release.

Atlantic Records Signing Adds Context to the Music Tease

Cyrus signed a new record deal with Atlantic Records earlier in the summer. The agreement represents the fourth record label of her career.

Atlantic Records welcomed Cyrus through an Instagram post that included the message “Welcome to the family @mileycyrus” along with a white heart emoji.

The agreement follows Cyrus’ work with Columbia Records, which released Endless Summer Vacation and Something Beautiful. Her move to Atlantic establishes a new label relationship for future recorded music.

Cyrus previously released her first three albums through Disney’s Hollywood Records. She later moved to RCA, where she released four albums, including Bangerz and Plastic Hearts.

Her two most recent albums were released through Columbia. Endless Summer Vacation preceded Something Beautiful, which arrived in 2025.

Atlantic Records’ roster includes Ed Sheeran, Charlie Puth, Charli xcx, Sia, Rosé, PinkPantheress, Lizzo, Kehlani, Bruno Mars, Alex Warren, Cardi B and Coldplay.

Hilary Duff, another former Disney performer, also released her latest album, luck… or something, through Atlantic Records.

Cyrus’ label history places the current campaign after releases through Hollywood Records, RCA and Columbia. Her Atlantic Records agreement establishes the latest change in her recording-label affiliation.

Other recent coverage of major pop performers includes Harry Styles’ Madison Square Garden residency, which began with a revised concert setlist and a 30-show run.

No Specific New Release Has Been Confirmed

The campaign has not been accompanied by a confirmed title, release date or specific new recording. The public elements include Cyrus’ August 30 Instagram post, the updated official website and the earlier “COMING SOON” Spotify billboard imagery in New York.

The website’s sign-up feature invites visitors to receive additional information. It does not identify a specific album or song.

Cyrus’ Instagram post is similarly limited to the red-and-black image. The post does not include a caption announcing a song, album or release date.

The Spotify billboards also provided limited information, displaying “COMING SOON” without an artist name. Cyrus’ subsequent social media and website activity uses the same visual treatment.

The singer’s most recent album, Something Beautiful, was released through Columbia Records in 2025. Endless Summer Vacation preceded it as her other Columbia release.

Cyrus’ new Atlantic Records agreement follows those Columbia releases. Her earlier catalog includes albums issued through Hollywood Records and RCA, including Bangerz and Plastic Hearts.

The campaign’s current elements remain the red-and-black imagery, the “Miley” website branding, the sign-up option and the “COMING SOON” message used on the earlier billboards.

Frequently Asked Questions

Is Miley Cyrus releasing new music in 2026?

Miley Cyrus has launched a new music-related campaign featuring red-and-black imagery across Instagram and her official website. A specific new song, album or release date has not been announced.

What did Miley Cyrus post on Instagram on August 30?

Cyrus posted a close-up red-and-black image of her face without a caption. The image matches the visual treatment used on her official website.

Has Miley Cyrus announced a new album?

No specific new album has been announced. Her most recent album is Something Beautiful, which was released in 2025 through Columbia Records.

Which record label is Miley Cyrus signed with?

Cyrus recently signed a new record deal with Atlantic Records. Before that agreement, her music had been released through Hollywood Records, RCA and Columbia Records.

What does Miley Cyrus’ new red-and-black campaign mean?

The campaign uses matching red-and-black imagery on Cyrus’ Instagram and official website, while similar “COMING SOON” imagery appeared on Spotify billboards in New York earlier in August. The campaign does not identify a specific new song or album.

Cardi B AH HA Music Video Brings Summer to Brooklyn

Famous Times Staff 2 on August 29, 2026

Cardi B’s AH HA music video places the rapper on the streets of Sunset Park, Brooklyn, for a summer-focused visual released Aug. 28. Directed by Arrad and featuring Kash Doll, the video uses neighborhood blocks, motorcycles, a hair salon and a spraying fire hydrant to frame Cardi B’s latest solo single.

Key Takeaways

  • Cardi B released the official “AH HA” music video on Aug. 28, nearly a month after the single arrived on July 31.
  • The video was filmed in Sunset Park, Brooklyn, including an area of 48th Street between Fourth and Fifth avenues.
  • Arrad directed the visual, while DJ SwanQo produced the track.
  • Kash Doll makes a cameo after being referenced in the song.
  • The video moves between Brooklyn street scenes, a hair salon, motorcycles, ATVs and a final dance sequence around a spraying fire hydrant.

Cardi B AH HA Music Video Centers Sunset Park

Cardi B returned to a New York street setting for “AH HA,” releasing a video that places much of its action outdoors in Brooklyn rather than inside a studio-built environment.

The official visual arrived Aug. 28, following the July 31 release of the DJ SwanQo-produced single. Arrad directed the video, and fellow rapper Kash Doll appears in a brief cameo. (BroadwayWorld)

The Sunset Park location had become public before the finished video was released. News 12 Brooklyn reported that Cardi B was filming in the neighborhood on Aug. 10, with cellphone footage showing production activity on 48th Street between Fourth and Fifth avenues. A crew temporarily shut down the street while filming took place. (News 12 – Default)

Those surroundings remain visible in the completed video. Cardi B performs on neighborhood streets and stoops, while motorcycles, ATVs, storefronts and groups of dancers repeatedly enter the frame. The video also shifts into a hair salon before returning outside for larger performance sequences.

The location gives “AH HA” a different visual structure from a production built around controlled sets. Rather than removing the surrounding neighborhood from the frame, the video uses Brooklyn architecture, sidewalks and street activity as recurring parts of its setting.

Cardi B had described that direction shortly before the premiere. During an X Spaces discussion, she said she wanted the project to have a “very street New York summer vibe,” according to Complex.

That description is reflected directly in the finished video. Instead of developing a complicated storyline, the production moves through a series of performances tied together by the Sunset Park location, Cardi B’s changing wardrobe and the repeated presence of bikes, dancers and neighborhood spaces.

New York is also receiving substantial attention elsewhere in live music this summer. Harry Styles began a 30-show Madison Square Garden residency on Aug. 26, two days before Cardi B released the Brooklyn-shot “AH HA” video.

Street Scenes and Kash Doll Drive the Visual

The video’s pace comes largely from its rapid movement between locations and performance setups. Cardi B appears in several hairstyles and outfits as scenes move from the sidewalk to the salon and back onto the street.

Motorcycles and ATVs form another recurring visual element. Cardi B appears around riders and customized bikes, while choreography fills sections of the street. The approach keeps the focus on movement rather than introducing a separate narrative unrelated to the song.

One of the video’s most prominent sequences comes near the end, when water from a fire hydrant sprays across the street during a group dance scene. People and Complex both highlighted the hydrant sequence in coverage of the Aug. 28 release.

Kash Doll’s appearance provides another direct connection between the song and its visual treatment. Cardi B mentions the Detroit rapper in “AH HA,” and Kash Doll appears as that portion of the track arrives.

The cameo had already prompted interest before the video premiered because the two artists were seen together during the Brooklyn production. Cardi B later discussed requests for a possible Kash Doll remix, but no such remix had been formally announced in the reporting surrounding the video’s release. The confirmed collaboration in the current release is Kash Doll’s appearance in the video.

Cardi B also addressed the broader target of the song in an Aug. 27 Vogue Arabia interview. Asked who “AH HA” was aimed at, she said, “This is for everyone who thinks I’m worried about them. I don’t care about you.”

The statement provides context for the confrontational tone without assigning the lyrics to a specific person who has not been publicly identified. The video follows a similar approach. Its focus remains on Cardi B’s performance rather than constructing a storyline around an individual target.

‘AH HA’ Extends Cardi B’s 2026 Music Run

“AH HA” is Cardi B’s first solo single following her second studio album, “Am I the Drama?,” released in 2025. The song arrived July 31, with the official music video following four weeks later.

Its release comes after Cardi B spent the first part of 2026 on the Little Miss Drama Tour. Pitchfork also noted that she performed “Bodega Baddie” and “ErrTime” on “Saturday Night Live” earlier in the year, keeping material from her second album in her live schedule before the arrival of “AH HA.”

The timing places Cardi B’s release within a busy stretch for major U.S. music acts. Ariana Grande, for example, recently reached another U.S. chart milestone with her Ariana Grande chart debut after “petal” entered the Billboard 200 at No. 1.

For Cardi B, however, the immediate focus of “AH HA” is not an announced album rollout. Public reporting around the Aug. 28 video centers on the single itself, its Brooklyn production, Arrad’s direction and Kash Doll’s appearance.

The finished video also makes its location difficult to separate from the release. Sunset Park is not identified only through production reports. Its streets remain part of the visual throughout, from the opening performance setups to the bike scenes and final choreography.

That structure keeps the Cardi B AH HA music video closely tied to the New York summer concept Cardi B described before its release. The result is a performance-focused Brooklyn visual built around real neighborhood locations, changing styling, street choreography and a cameo that connects directly to the song.

Frequently Asked Questions

When was the Cardi B AH HA music video released?

The Cardi B AH HA music video was released on Aug. 28, 2026. The song itself was released on July 31, roughly four weeks before the official visual.

Where was the “AH HA” video filmed?

The video was filmed in Sunset Park, Brooklyn. Local reporting identified filming activity on 48th Street between Fourth and Fifth avenues during the Aug. 10 production.

Who directed Cardi B’s “AH HA” video?

Arrad directed the official “AH HA” music video. DJ SwanQo produced the song.

Is Kash Doll in the “AH HA” music video?

Yes. Kash Doll makes a cameo in the video and appears in connection with a portion of the song in which Cardi B references her.

Is “AH HA” connected to a new Cardi B album?

The supplied public reporting identifies “AH HA” as Cardi B’s first solo single following her 2025 album “Am I the Drama?” The reports cited here did not establish the video as part of a formally announced new album rollout.

Harry Styles Opens Madison Square Garden Residency With New Setlist

Famous Times Staff 2 on August 28, 2026

Harry Styles began his 30-show Madison Square Garden residency in New York on August 26, introducing changes to his concert setlist and arrangements. The opening performance also included a tribute to Dolly Parton, adding a notable moment to the first night of Styles’ extended run at the venue.

Key Takeaways

  • Harry Styles opened his 30-show Madison Square Garden residency on August 26.
  • The singer substantially revised the setlist used during earlier shows on the Together, Together tour.
  • “The Waiting Game” was performed during the concert, alongside several songs in new positions or arrangements.
  • Styles paid tribute to Dolly Parton during the encore.
  • The performance revisited Styles’ connection to Madison Square Garden, where One Direction performed in 2012.

Harry Styles Begins His Madison Square Garden Residency

The opening night of Harry Styles’ Madison Square Garden residency introduced a revised version of his Together, Together concert, with the singer changing the order of songs and replacing the tour’s previous opening number. Styles began the August 26 performance with “Dance No More,” followed by “Carolina.” 

The performance was the first of a 30-show run at the New York venue. The residency had been established as the centerpiece of Styles’ 2026 global tour plans, which uses extended runs of performances in selected cities rather than a single show at each stop.

Styles had previously opened shows on the tour with “Are You Listening Yet?” The Madison Square Garden performance instead placed that song later in the set, illustrating one of the changes made for the residency opening.

The revised concert also moved songs that had appeared in different positions during earlier tour performances. “Carolina,” from Styles’ first solo album, returned to the live set, while “Cinema” received its tour debut at the New York show. 

The opening performance lasted about one hour and 50 minutes, according to the recorded concert setlist. Jamie xx performed before Styles, with Styles taking the stage at about 8:55 p.m.

Revised Setlist Introduces Changes to the Opening Performance

The revised setlist changed both the sequence and presentation of several songs. “Dance No More” moved into the opening position with an extended introduction, while “Carolina” followed as the second song.

“Music for a Sushi Restaurant,” “Cinema,” “Adore You” and “Watermelon Sugar” followed during the first portion of the performance. “Taste Back” and “Sweet Creature” were also included before the show moved into its second act.

Several songs received specific performance changes. “Adore You” featured an extended outro, while “Satellite” received an extended introduction and was performed in its full version. “Kiwi” was also listed with an alternate arrangement.

The middle and later portions of the concert included “Are You Listening Yet?,” “Ready, Steady, Go!,” “Pop,” “Season 2 Weight Loss,” “Kiwi,” “American Girls” and “As It Was.” Styles then performed “Carla’s Song” in a piano version with a string section before closing the main set with “Coming Up Roses.”

The changes gave the Madison Square Garden opening a setlist distinct from the sequence used at earlier Together, Together performances. The documented August 26 setlist also shows that songs from Styles’ latest album were integrated alongside material from his earlier solo releases.

The revised format also follows a broader pattern of major artists using Madison Square Garden for extended concert runs. Earlier this summer, Bon Jovi opened its Forever Tour at the same venue, beginning another multi-date run of live performances.

New Arrangements Reshape the Concert Setlist

The setlist changes extended beyond song order. “Sweet Creature” was performed by Styles’ backing singers, while “Carla’s Song” was presented with piano and strings. “Coming Up Roses” also included a string section.

The performance therefore incorporated different musical presentations within the same concert. The recorded setlist identifies extended introductions, alternate arrangements and additional instrumental elements across several songs.

“The Waiting Game,” from Styles’ album Kiss All the Time. Disco, Occasionally., appeared during the second portion of the show. Although the song had previously been performed earlier in the year, the Madison Square Garden appearance placed it within the revised residency set.

“The Waiting Game” Receives Its Live Debut

“The Waiting Game” was performed during the Madison Square Garden concert as part of the revised setlist. The song comes from Styles’ fourth studio album, Kiss All the Time. Disco, Occasionally.

The song was not technically receiving its first-ever live performance on August 26. Setlist records show that Styles first performed “The Waiting Game” on March 6, 2026, at Co-op Live in Manchester, England. The Madison Square Garden performance was the song’s seventh recorded live appearance.

Its inclusion in the New York concert placed the track within a set that combined songs from Styles’ current album with selections from his previous solo records. Other songs from Kiss All the Time. Disco, Occasionally. included “Dance No More,” “American Girls,” “Ready, Steady, Go!,” “Are You Listening Yet?,” “Taste Back,” “Season 2 Weight Loss,” “Coming Up Roses” and “Pop.”

The album material was performed alongside earlier songs including “Carolina,” “Kiwi,” “Sweet Creature,” “Sign of the Times,” “As It Was,” “Music for a Sushi Restaurant,” “Cinema” and “Satellite.”

The concert therefore drew from multiple stages of Styles’ solo catalog rather than limiting the performance to his newest release. The setlist also included “Watermelon Sugar,” one of his established solo songs.

The approach is consistent with the structure of Styles’ current tour, which combines newer material with songs from across his solo catalog. Other major artists have also recently used extended U.S. concert runs to mix established material with newer releases, including the Jonas Brothers’ expanded tour schedule following their Madison Square Garden performances. 

Harry Styles Pays Tribute to Dolly Parton

The encore included a tribute to Dolly Parton, who was acknowledged during the performance before a recording of her “I Will Always Love You” played through the venue. Styles then continued the concert with “Sign of the Times” and “Aperture.”

Parton’s recording was used as part of the tribute rather than as a live performance by Styles. The recorded setlist identifies “I Will Always Love You” as a song played from tape during the encore.

The tribute occurred during the first night of the Madison Square Garden residency and was incorporated into the concert’s closing sequence. The remainder of the encore featured “Sign of the Times,” performed with a string section, followed by “Aperture,” which had an extended introduction.

The Dolly Parton tribute was separate from the setlist changes that shaped the rest of the performance, but it became part of the opening-night concert sequence. Styles otherwise used the encore to return to songs from his solo catalog after completing the main set with “Coming Up Roses.”

The documented setlist also records “I Can’t Stop Loving You,” a Don Gibson song, as playing from tape after the final live performance.

Madison Square Garden Holds Personal Significance for Styles

Madison Square Garden has a direct connection to Styles’ early performing career. During the opening-night concert, he recalled that he first performed at the venue at age 18 with One Direction in 2012.

Styles told the audience that someone working at the venue had reminded him of his first visit. According to his account, he kissed the floor after arriving and said he had made it to Madison Square Garden.

The 2026 residency places Styles back at the same New York venue more than a decade after that One Direction appearance. This time, he is performing as a solo artist across a scheduled 30-show run.

The residency is part of Styles’ Together, Together tour. Ticketing records list Madison Square Garden performances beginning August 26 and continuing on dates through October 31.

The opening-night set provided a different version of the tour performance, with changes ranging from the opening song to the placement and arrangement of individual tracks. Styles also used the concert to revisit an earlier connection to the venue while beginning his extended solo run there.

Frequently Asked Questions

When did Harry Styles begin his Madison Square Garden residency?

Harry Styles opened the residency on August 26, 2026, at Madison Square Garden in New York. The performance was the first of his scheduled 30-show run at the venue.

How many shows are included in Harry Styles’ Madison Square Garden residency?

The residency consists of 30 scheduled shows. The performances run from August through October 2026.

Did Harry Styles change his setlist for the residency opening?

Yes. Styles opened with “Dance No More” instead of “Are You Listening Yet?” and changed the placement and arrangements of several other songs. “Carolina” and “Cinema” were also included in the revised performance.

What song did Harry Styles perform live during the revised set?

“The Waiting Game” was included in the performance. The song had previously been performed live earlier in 2026, with the Madison Square Garden appearance recorded as its seventh live performance.

Did Harry Styles pay tribute to Dolly Parton?

Yes. During the encore, Styles paid tribute to Dolly Parton, followed by a recording of Parton’s “I Will Always Love You” playing at the venue.

Tom Brady Wellness Routine and Fitness Longevity Trends

Famous Times Staff 2 on August 27, 2026

Tom Brady wellness routine has drawn attention as discussions around celebrity fitness continue moving toward long-term health, recovery, and sustainable performance. The former NFL quarterback has publicly shared aspects of his approach to nutrition, training, and recovery, offering insight into how elite athletes increasingly view wellness beyond competition.

The shift reflects a broader change in fitness conversations, where athletes and public figures are placing more emphasis on maintaining mobility, strength, and overall health over time. This article examines the practices associated with Brady’s public wellness approach and how they connect with evolving trends in athlete fitness.

Key Takeaways

  • Tom Brady has publicly discussed his approach to nutrition, training, and recovery throughout and after his professional football career.
  • His wellness philosophy has emphasized consistency, preparation, and maintaining physical readiness.
  • Recovery and longevity have become increasingly common topics in discussions about modern athlete fitness.
  • Celebrity wellness routines are receiving more attention as audiences look beyond traditional workout programs.
  • Individual fitness strategies vary based on personal goals, health factors, and lifestyle needs.

Tom Brady’s Wellness Routine Reflects a Broader Fitness Shift

Tom Brady’s approach to wellness has become part of a larger conversation about how professional athletes manage physical performance over extended periods. During his NFL career, Brady frequently discussed the importance of preparation, recovery, and maintaining habits that supported his ability to compete.

Rather than focusing only on traditional strength and conditioning, Brady has highlighted several areas that are now common in athlete wellness discussions. These include nutrition choices, movement practices, recovery routines, and lifestyle consistency.

The attention surrounding his methods reflects changing expectations around fitness. Many athletes and fitness professionals now discuss longevity as a combination of physical training, recovery, and daily habits rather than a single workout routine.

After retiring from professional football, Brady has continued sharing wellness-related content through public appearances, interviews, and business projects connected to health and performance.

Nutrition and Recovery Remain Central to Athlete Wellness Discussions

One of the most discussed aspects of the Tom Brady wellness routine is his approach to nutrition. Brady has previously shared details about his dietary preferences, including an emphasis on foods he considers supportive of his lifestyle and physical goals.

His approach has included attention to whole foods and meal planning. However, nutrition experts generally note that dietary choices depend on individual circumstances, including activity levels, medical considerations, and personal preferences.

Recovery has also become a major part of modern athlete preparation. Professional sports have increasingly highlighted the role of rest, mobility work, stretching, and recovery strategies in helping athletes maintain physical readiness.

These practices are no longer limited to professional sports. Many fitness programs now include recovery planning as part of broader wellness strategies, reflecting increased interest in sustainable approaches rather than short-term results.

Athlete Longevity Is Changing Fitness Conversations

The concept of athlete longevity has become more prominent as professional careers extend and audiences gain greater access to athletes’ training methods. Brady’s career has often been discussed in relation to maintaining performance over many seasons.

The Tom Brady wellness routine has contributed to public interest in how elite athletes prepare their bodies for demanding schedules. His approach has encouraged conversations about the relationship between consistent habits and long-term physical maintenance.

The focus on longevity has also influenced fitness culture outside professional sports. Training programs increasingly incorporate strength maintenance, mobility exercises, recovery periods, and lifestyle management.

For retired athletes, maintaining physical health can also become an important part of adjusting to life after competition. Discussions around athletic transitions have examined how former players redefine their routines once structured training schedules come to an end. Related discussions on life after sports can be found in coverage about athlete identity loss.

Celebrity Wellness Trends Emphasize Personalized Approaches

Celebrity fitness routines often attract public attention because they provide a look into how recognizable figures approach health and performance. However, wellness professionals frequently emphasize that routines should be adapted to individual needs.

The growing interest in celebrity wellness reflects a larger shift toward personalized health strategies. Instead of following a single model, many people are focusing on routines that match their schedules, physical abilities, and personal goals.

Technology has also influenced the way people approach fitness. Wearable devices and digital health platforms have made tracking activity, sleep, and recovery patterns more accessible for many users.

Athletes and public figures have increasingly used these tools and platforms to share aspects of their routines. This has contributed to wider discussions about how daily habits influence physical well-being.

Celebrity wellness conversations have also expanded beyond athletic performance into areas such as entrepreneurship, lifestyle branding, and personal development. Related coverage on public figures building new ventures appears in discussions about celebrity entrepreneurship.

The Tom Brady Wellness Routine Continues to Shape Fitness Discussions

Tom Brady wellness routine remains part of a broader discussion about how fitness culture is evolving. The focus has expanded from competition-focused training toward a wider understanding of recovery, nutrition, and maintaining physical ability over time.

Brady’s public comments about his lifestyle have contributed to continued interest in the habits associated with professional athletes. His approach reflects a growing emphasis on consistency and preparation as important elements of long-term wellness.

While individual routines differ, the attention around athlete wellness shows how fitness discussions have expanded beyond workouts alone. Nutrition, recovery, mobility, and lifestyle choices now play a larger role in how many people understand physical health.

Frequently Asked Questions

What is included in the Tom Brady wellness routine?

The Tom Brady wellness routine has included publicly discussed practices related to nutrition, training, recovery, and lifestyle consistency. Brady has shared aspects of these habits through interviews, books, and public platforms.

Why is athlete longevity becoming a larger fitness topic?

Athlete longevity has gained attention because many discussions now focus on maintaining physical ability and health over extended periods. Recovery, mobility, and sustainable training methods are increasingly included in fitness conversations.

Does Tom Brady’s routine work for everyone?

No single wellness routine applies to everyone. Fitness and nutrition strategies depend on factors such as personal goals, health conditions, activity levels, and lifestyle needs.

How has celebrity fitness changed in recent years?

Celebrity fitness discussions have expanded from workout routines to include nutrition, recovery, mobility, and overall wellness practices. Many audiences are now interested in how public figures maintain long-term health habits.

Why do people follow athlete wellness routines?

People often follow athlete wellness routines to learn how professional competitors approach preparation and recovery. These routines can provide ideas, although they typically require adjustments for individual circumstances.

Selena Gomez Sets Date for Rare Impact Fund Benefit

Famous Times Staff 2 on August 25, 2026

Selena Gomez has announced the fourth annual Rare Impact Fund Benefit, scheduled for Oct. 14 at the Hollywood Palladium in Los Angeles. The fundraiser will be emceed by actor and comedian Sean Hayes and will support the Rare Impact Fund’s efforts to expand access to youth mental health services and education.

Key Takeaways

  • The fourth annual Rare Impact Fund Benefit is scheduled for Oct. 14 in Los Angeles.
  • The Hollywood Palladium will host the fundraiser.
  • Actor and comedian Sean Hayes will emcee the event.
  • The Rare Impact Fund supports organizations working to expand youth mental health services and education.
  • The fund has a goal of mobilizing $100 million for youth mental health initiatives worldwide.

Selena Gomez Announces the Fourth Rare Impact Fund Benefit

The fourth annual Rare Impact Fund Benefit will take place Oct. 14 at the Hollywood Palladium in Los Angeles, with Selena Gomez leading the event and actor and comedian Sean Hayes serving as emcee. The fundraiser will support the Rare Impact Fund’s work to increase access to youth mental health services and education.

Gomez, 34, is the founder of Rare Beauty and the Rare Impact Fund. The annual benefit brings together supporters of the fund and organizations involved in youth mental health services.

The event’s announcement establishes the date and location for this year’s fundraiser while confirming Hayes as the night’s emcee. The Hollywood Palladium will provide the Los Angeles venue for the fourth annual benefit.

The Rare Impact Fund has set a goal of mobilizing $100 million for organizations that increase access to youth mental health services and education around the world. The fund’s stated mission places youth access and support at the center of the annual event.

Gomez said the Rare Impact Fund is personally meaningful to her and described the importance of having support available to young people, particularly during periods when they may feel alone.

She also thanked Hayes for participating in this year’s benefit. His role as emcee adds a recognizable entertainment figure to the October event.

Hollywood Palladium Set to Host the October Fundraiser

The Hollywood Palladium in Los Angeles will host the fourth annual benefit on Oct. 14. The venue will be the setting for the fundraiser supporting organizations connected to youth mental health services and education.

The event brings Gomez’s entertainment and beauty businesses into the same public setting as her work with the Rare Impact Fund. Gomez founded Rare Beauty and the Rare Impact Fund, linking the benefit to two parts of her public career.

Rare Beauty expanded its leadership team in 2026 with several executive appointments. The beauty company operates separately from the Rare Impact Fund’s fundraising activities, although both were founded by Selena Gomez.

The fundraiser is also structured around the fund’s broader financial goal. The Rare Impact Fund has stated that it seeks to mobilize $100 million for organizations working to increase access to youth mental health resources worldwide.

The October date gives the fund a scheduled annual event through which supporters can participate in its work. The benefit will also provide a Los Angeles gathering point for advocates, partners and other supporters of the organization.

The fund’s announcement describes the evening as an opportunity for connection, storytelling and impact. The event will center on the organizations and people involved in expanding youth mental health support.

Sean Hayes Named Emcee for the Annual Benefit

Sean Hayes will emcee the fourth annual Rare Impact Fund Benefit. The actor and comedian is known for his entertainment career and will lead the evening’s activities at the Hollywood Palladium.

Gomez specifically thanked Hayes for joining the event in her statement about the fundraiser. His participation was confirmed as part of the announcement of the October benefit.

The emcee role places Hayes alongside Gomez for an event focused on youth mental health services and education. The fundraiser will bring together people connected to the Rare Impact Fund’s work rather than focusing solely on Gomez’s role as founder.

The event’s structure also gives the fund an opportunity to communicate its mission directly to supporters. Gomez said the benefit is intended to support organizations that provide young people with access to the help they need.

Her statement focused on the value of having someone available to support young people when they feel alone. She connected that message directly to the fund’s work and the organizations supported through its mission.

Gomez’s personal life has also remained a subject of entertainment coverage, including her relationship with Benny Blanco and their creative connection detailed in Selena Gomez and Benny Blanco’s album story.

Rare Impact Fund Continues Youth Mental Health Mission

The Rare Impact Fund’s stated objective is to mobilize $100 million for organizations that increase access to youth mental health services and education around the world. The October benefit will support that mission through its annual fundraising event.

Gomez said her work with the fund has shown her the importance of having support available to young people. She said the benefit is intended to help more young people receive that support and to recognize organizations that provide it.

The fund’s focus extends beyond a single event. Its mission includes increasing access to youth mental health services and education, with organizations working in those areas receiving support.

The annual benefit provides a public event around that mission. Gomez’s role as founder connects the fundraiser to her broader work with Rare Beauty and the Rare Impact Fund.

The fourth annual event will continue that work in Los Angeles. The October fundraiser is the next scheduled benefit following last year’s event.

Previous Benefit Raised More Than $2 Million

The 2025 Rare Impact Fund Benefit raised more than $2 million through contributions from more than 20 sponsors and one-of-a-kind auction items. The auction items included offerings connected to SmartLess, Paul Rudd and The Ranch Malibu.

The 2025 event also brought Gomez and her husband, Benny Blanco, together for a public appearance. The couple attended the benefit one month after their wedding and were photographed together during the evening.

Gomez wore a maroon minidress with a satin detail around the neck, matching pumps and sparkling drop earrings for the event. Blanco wore a black suit with satin lapels and a black button-down shirt.

The previous benefit also featured a red-carpet appearance by Gomez in a mauve silk twill wool minidress designed by Danielle Frankel. She paired the look with a silk twill shawl and hand-dyed satin Kennedy heels.

The 2025 fundraiser’s more than $2 million in proceeds provides the most recent reported fundraising figure connected to the annual event. The 2026 benefit will take place in October with Hayes serving as emcee and the Rare Impact Fund’s youth mental health mission remaining at its center.

Frequently Asked Questions

When is Selena Gomez’s Rare Impact Fund Benefit?

The fourth annual Rare Impact Fund Benefit is scheduled for Oct. 14, 2026. It will take place at the Hollywood Palladium in Los Angeles.

Where will the Rare Impact Fund Benefit take place?

The fundraiser will be held at the Hollywood Palladium in Los Angeles, California.

Who will emcee Selena Gomez’s Rare Impact Fund Benefit?

Actor and comedian Sean Hayes will emcee the fourth annual benefit. Gomez thanked Hayes for joining the event in her statement announcing the fundraiser.

What does the Rare Impact Fund support?

The Rare Impact Fund supports efforts to increase access to youth mental health services and education. Its stated goal is to mobilize $100 million for organizations working in those areas around the world.

How much did the previous Rare Impact Fund Benefit raise?

The 2025 benefit raised more than $2 million. The funds came from more than 20 sponsors and one-of-a-kind auction items.

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