Celine Dion Makes Surprise Appearance at Paris Fashion Week

Celine Dion made a surprise appearance at L’Oréal Paris’ runway show during Paris Fashion Week, performing her 2002 hit “I’m Alive.” The singer joined Viola Davis, Simone Ashley, Aja Naomi King and Eva Longoria at the event, combining her return to live performance with one of the season’s major fashion presentations.

Key Takeaways

  • Celine Dion appeared at L’Oréal Paris’ runway show during Paris Fashion Week
  • Dion performed her 2002 song “I’m Alive” during the event
  • The singer appeared alongside L’Oréal ambassadors and other celebrities
  • The runway event took place in Paris as part of Fashion Week
  • Dion’s appearance coincided with her return to live performances in the French capital

Celine Dion Joins L’Oréal Paris Fashion Week Runway

Celine Dion made a surprise appearance at L’Oréal Paris’ runway show during Paris Fashion Week, closing the presentation with a live performance of “I’m Alive.” Her participation brought music directly onto the runway as the event gathered figures from fashion, film and television.

Rather than attending solely as a guest, Dion became part of the presentation itself. Her performance gave the runway show an entertainment component while placing one of music’s most recognizable performers alongside the event’s celebrity lineup.

Viola Davis, Simone Ashley, Aja Naomi King and Eva Longoria were among the figures appearing at the presentation. The combination of actors, ambassadors and a live musical performance reflected the increasingly close relationship between fashion events and entertainment.

Dion’s appearance also coincided with renewed live-performance activity in Paris, giving the Fashion Week performance a direct connection to her current stage schedule.

Dion Performs “I’m Alive” During the Paris Show

Dion performed “I’m Alive,” her 2002 hit, at the L’Oréal Paris presentation. The song is one of the established tracks in her catalog and provided the musical finale to the runway event.

The performance placed Dion at the center of the show rather than in the audience. By appearing as a performer, she contributed directly to the presentation while the runway brought together fashion personalities and L’Oréal ambassadors.

The choice of “I’m Alive” also connected the appearance with Dion’s return to live performance. Its inclusion gave the fashion show a recognizable musical centerpiece while allowing the singer to perform outside a conventional concert setting.

The Paris appearance demonstrated how major fashion presentations can incorporate live entertainment without shifting away from their runway focus. Dion’s performance served as the closing element of the event and complemented its broader celebrity lineup.

L’Oréal Paris Brings Celebrities to the Runway

Dion was joined by several established figures from entertainment, including Viola Davis, Simone Ashley, Aja Naomi King and Eva Longoria. Their presence expanded the presentation beyond a conventional runway lineup and connected it with film, television and music audiences.

Celebrity participation has also been prominent elsewhere on the European fashion calendar. A recent London Fashion Week event brought together figures from music, film and modeling around the opening of Kim Kardashian’s first international Skims standalone flagship.

At the L’Oréal Paris presentation, Dion represented the musical side of the lineup, while Davis, Ashley, King and Longoria brought recognizable names from film and television.

Their participation reflected the broader role that ambassadors and entertainment personalities play in major fashion-week events. Dion’s surprise performance added a live component to that mix while keeping the runway presentation at the center of the evening.

Celine Dion Continues Her Return to Live Performances

Dion’s Fashion Week appearance came during her return to live performances in Paris. The runway show added another type of stage appearance to a period already centered on her renewed performance schedule in the French capital.

The L’Oréal Paris event differed from a standalone concert because Dion performed within a fashion presentation rather than leading a traditional music show. That setting allowed her to appear before a fashion-industry audience while still performing material from her established catalog.

Her participation therefore brought together two aspects of her current public presence: live music and a major fashion event. The performance offered a different setting for Dion while remaining connected to her wider return to the stage.

The Paris appearance also reinforced the singer’s visibility beyond her scheduled concerts, placing her within an international event that draws audiences across fashion and entertainment.

Paris Fashion Week Connects Music and Fashion

The L’Oréal Paris runway show combined fashion, celebrity appearances and live music, with Dion’s performance providing the principal musical element of the presentation.

Entertainment figures have been appearing across other major Fashion Week-related events as well. Michael B. Jordan recently added a Milan Fashion Week appearance to his fashion profile alongside his October 2026 Vogue cover.

For Dion, the Paris show offered a particularly direct crossover because she performed rather than simply attending. Her rendition of “I’m Alive” became part of the runway program and placed her music within the fashion presentation itself.

The event also brought together personalities from multiple areas of entertainment. Actors, ambassadors and a major recording artist shared the same setting, illustrating how fashion-week programming increasingly extends beyond designers and models.

Dion’s surprise appearance ultimately gave the L’Oréal Paris runway show a musical finale while adding another live performance to the singer’s current activities in Paris.

Frequently Asked Questions

Did Celine Dion perform at Paris Fashion Week?

Yes. Celine Dion performed at L’Oréal Paris’ runway show during Paris Fashion Week, singing “I’m Alive” as part of the presentation.

What song did Celine Dion perform at the L’Oréal Paris show?

Dion performed “I’m Alive,” a song released in 2002 and one of the established tracks in her music catalog.

Which celebrities appeared at the L’Oréal Paris Fashion Week event?

The event included Viola Davis, Simone Ashley, Aja Naomi King and Eva Longoria alongside Celine Dion and other fashion and entertainment figures.

Where did Celine Dion perform during Paris Fashion Week?

Dion performed during L’Oréal Paris’ Fashion Week runway presentation in Paris. Her appearance was part of the fashion show rather than a standalone concert.

Is Celine Dion returning to live performances in Paris?

Yes. Dion’s Fashion Week appearance coincided with her return to live performances in Paris, adding another public stage appearance to her current activities in the city.

Rihanna Makes Paris Fashion Week Debut in Statement Look

Rihanna made her Paris Fashion Week debut on September 28, attending the Matières Fécales Spring 2027 show at Place de la République. The singer arrived in a bronzed, textured skirt suit paired with a sheer black top and black Christian Louboutin pumps as the city opened its Spring/Summer 2027 womenswear schedule.

Key Takeaways

  • Rihanna attended the Matières Fécales Spring 2027 show in Paris
  • She wore a bronzed, textured two-piece skirt suit
  • Her outfit included a sheer black top and black Christian Louboutin pumps
  • The appearance took place on the opening day of the Spring/Summer 2027 Paris Fashion Week schedule
  • The event marked Rihanna’s Paris Fashion Week debut

Rihanna Attends the Matières Fécales Spring 2027 Show

Rihanna attended the Matières Fécales Spring 2027 show in Paris on September 28, marking her first appearance at Paris Fashion Week. The presentation took place at Place de la République on the opening day of the city’s Spring/Summer 2027 womenswear schedule.

The singer joined guests at the show as designers Hannah Rose Dalton and Steven Raj Bhaskaran presented the label’s latest collection. The setting placed Rihanna within one of the first-day events of the nine-day Paris schedule.

Her appearance came during a fashion month that has brought entertainment figures into designer shows, launches and other industry events. A recent London Fashion Week event similarly placed Kim Kardashian alongside figures from music, film and fashion during the opening of Skims’ Regent Street flagship.

For Rihanna, however, the Matières Fécales presentation centered attention on a distinctive front-row outfit combining metallic texture, black sheer fabric and sculptural footwear.

Rihanna Wears a Bronzed Textured Two-Piece Look

Rihanna’s Paris Fashion Week outfit centered on a bronzed, textured two-piece skirt suit. The coordinated jacket and skirt featured a metallic, tinsel-like surface that gave the tailoring movement and dimension.

Rather than styling the suit with a conventional blouse, Rihanna wore a sheer black top underneath. The contrast allowed the bronze outer pieces to remain the dominant element while introducing a darker layer through the center of the outfit.

The styling reflected the broader overlap between celebrity appearances and fashion projects during the current season. The recent Kaia Gerber capsule collection with Re/Done similarly extended a familiar entertainment and modeling figure into a more direct fashion context.

Rihanna’s outfit remained focused on a limited palette. Bronze defined the jacket and skirt, while black appeared in both the sheer top and footwear.

Together, the pieces created a coordinated look built around contrasting textures rather than a wide range of colors or accessories.

Sheer Black Top Completes the Paris Fashion Week Outfit

The sheer black top provided the primary contrast beneath Rihanna’s bronzed suit. Its lightweight, transparent construction differed from the dense texture of the jacket and skirt while keeping the outfit within its bronze-and-black color scheme.

The choice also shifted the traditional appearance of a skirt suit. Instead of pairing the tailored pieces with a standard shirt or blouse, the sheer layer introduced a more evening-oriented element.

Texture remained central throughout the outfit. The metallic surface of the two-piece supplied the most visible detailing, while the black top added a softer and more transparent material underneath.

The combination gave each part of the outfit a clear role: the bronzed tailoring established the silhouette, while the sheer layer provided contrast without competing with the suit’s textured finish.

Rihanna wore the complete look while attending the Matières Fécales presentation as a guest, with her arrival becoming part of the opening-day activity surrounding Paris Fashion Week.

Christian Louboutin Pumps Finish Rihanna’s Look

Rihanna completed the outfit with black Christian Louboutin pumps featuring curved heels. The shoes continued the black color used for the sheer top while adding another sculptural element to the styling.

The black footwear created a visual break from the metallic suit without introducing another color. This kept the outfit concentrated around its two principal tones.

The pumps also balanced the more unconventional surface of the bronzed suit with a recognizable footwear silhouette. Their curved-heel construction added detail while allowing the clothing to remain the central feature.

Combined with the sheer top, the shoes framed the bronzed jacket and skirt with black elements above and below.

The resulting look relied on coordinated color, contrasting materials and tailored proportions for Rihanna’s first Paris Fashion Week appearance.

Paris Fashion Week Begins Its Spring/Summer 2027 Schedule

Paris Fashion Week’s Spring/Summer 2027 womenswear schedule began on September 28 and runs through October 6. Matières Fécales was among the labels presenting on the first day.

The Spring 2027 show took place at Place de la République, where the label presented its collection to invited guests and spectators. Rihanna attended from the front row.

Her appearance connected one of the opening-day presentations with a major figure from music, beauty and fashion. Rather than performing or promoting a music release, Rihanna attended specifically as a guest of the fashion show.

Her bronzed textured suit became the defining visual element of the appearance, with the sheer black top and Christian Louboutin pumps completing the styling.

The September 28 event gives Rihanna’s Paris Fashion Week 2026 appearance a clear place within the season: her debut came at the Matières Fécales Spring 2027 show as Paris began its latest womenswear schedule.

Frequently Asked Questions

What did Rihanna wear to Paris Fashion Week 2026?

Rihanna wore a bronzed, textured two-piece skirt suit to the Matières Fécales Spring 2027 show. She paired the suit with a sheer black top and black Christian Louboutin pumps.

Which Paris Fashion Week show did Rihanna attend?

Rihanna attended the Matières Fécales Spring 2027 show at Place de la République in Paris. The presentation took place on the opening day of the Spring/Summer 2027 womenswear schedule.

When did Rihanna attend Paris Fashion Week 2026?

Rihanna attended the Matières Fécales show on September 28, 2026. The date marked the beginning of the Spring/Summer 2027 Paris Fashion Week schedule.

Was this Rihanna’s first Paris Fashion Week appearance?

Yes. Vogue France described Rihanna’s September 28 appearance at the Matières Fécales show as her first appearance at Paris Fashion Week.

What shoes did Rihanna wear to the show?

Rihanna wore black Christian Louboutin pumps with curved heels. The footwear matched the black sheer top worn beneath her bronzed two-piece suit.

Jon Watts Set to Direct Lucasfilm’s Next Star Wars Movie

Jon Watts has been attached to direct Lucasfilm’s next Star Wars movie, bringing the filmmaker behind the Tom Holland-led Spider-Man trilogy into another major franchise. The project is being written by Simon Kinberg, with further story and production details still to be formally announced.

Key Takeaways

  • Jon Watts is attached to direct Lucasfilm’s next Star Wars movie.
  • Simon Kinberg is writing the screenplay for the new project.
  • Watts previously directed Tom Holland in the three-film Spider-Man trilogy.
  • Watts co-created the Disney+ series Skeleton Crew, his earlier work within the Star Wars universe.
  • Lucasfilm has not announced the film’s official title or full story details.

Jon Watts Joins Lucasfilm’s Next Star Wars Movie

Watts has been attached to direct the next Star Wars feature being developed by Lucasfilm. The project adds the filmmaker to a franchise he has already worked within through the Disney+ series Skeleton Crew.

The new movie is being developed as a feature project, with Watts taking the director role and Simon Kinberg writing the screenplay. The project is separate from the television work Watts previously completed within the Star Wars universe.

Watts is known for directing all three films in the Tom Holland-led Spider-Man trilogy: Spider-Man: Homecoming, Spider-Man: Far From Home and Spider-Man: No Way Home. His work on those films established his experience directing large-scale superhero franchise productions.

His attachment to the new Star Wars movie therefore connects his previous franchise directing work with Lucasfilm’s long-running science-fiction property.

Readers following Lucasfilm’s theatrical plans can also find related coverage of The Mandalorian and Grogu’s theatrical release, another major Star Wars feature connected to the studio’s cinema slate.

Simon Kinberg Is Writing the New Star Wars Project

Simon Kinberg is writing the screenplay for the new Star Wars movie, with Jon Watts attached to direct. Kinberg’s involvement gives the project a separate writing lead alongside Watts’ responsibilities as filmmaker.

Kinberg has worked as a writer and producer on several major film franchises. His credits include the X-Men film series, where he wrote and produced multiple entries before making his directorial debut with Dark Phoenix in 2019.

His work on the X-Men films included screenwriting and producing duties across different stages of the franchise. Kinberg also developed experience working with established characters, returning cast members and interconnected stories through those projects.

For the new Star Wars movie, Kinberg is handling the screenplay while Watts is attached to direct. The project therefore has its principal creative roles divided between a writer with extensive franchise screenwriting experience and a director known for feature work on the Spider-Man series.

Kinberg’s involvement also gives the film a writer who has previously worked within large-scale studio franchises. The Star Wars project represents his latest screenwriting assignment for an established film property.

Watts Brings Spider-Man Franchise Experience to Star Wars

Watts’ best-known franchise work comes from the three Spider-Man movies starring Tom Holland. He directed Spider-Man: Homecoming, released in 2017, followed by Spider-Man: Far From Home in 2019 and Spider-Man: No Way Home in 2021. The three films formed a connected trilogy within the Marvel Cinematic Universe.

Spider-Man: Homecoming introduced Holland’s version of Peter Parker as the central character in a standalone film that also connected to the wider Marvel story. Watts returned for the two sequels, continuing the character’s story across separate theatrical releases.

The trilogy placed Watts in charge of a continuing superhero story across three feature films. The movies also formed part of the larger Marvel Cinematic Universe, requiring connections between individual Spider-Man stories and a wider franchise. The third film, Spider-Man: No Way Home, continued the storyline established in the first two movies while incorporating elements from the broader Spider-Man film history.

A previously covered Sadie Sink’s Spider-Man casting, provided related coverage of the franchise in which Watts directed Holland’s three films. The casting story also connects to the broader Marvel film universe in which Watts completed his trilogy.

Before directing the Spider-Man films, Watts directed Cop Car, a 2015 crime thriller starring Kevin Bacon, James Freedson-Jackson and Hays Wellford. The film was an earlier feature directing credit before Watts moved into the larger studio franchise productions that became the central part of his subsequent filmography.

Watts then directed all three Holland-led Spider-Man films before moving into television work connected to Star Wars. His work on Skeleton Crew gave him a separate opportunity to develop a story within an established franchise before his attachment to the new theatrical project.

His move from Spider-Man to the new Star Wars movie places another major franchise feature on his directing credits. The assignment follows his experience managing a three-film superhero series and his earlier work within the Star Wars universe through Skeleton Crew.

The upcoming Star Wars project will be Watts’ next feature directing assignment following his work on the Spider-Man trilogy. His previous franchise credits provide the primary connection between his earlier theatrical work and his new role with Lucasfilm.

Skeleton Crew Connected Watts to the Star Wars Universe

Watts already has a direct creative connection to Star Wars through Skeleton Crew, the Disney+ series he co-created with Christopher Ford. The series gave Watts an opportunity to work within the franchise before taking on the upcoming feature film.

Skeleton Crew follows a group of children who become lost in the Star Wars galaxy and encounter challenges while trying to find their way home. Watts and Ford developed the series for Disney+, while the project expanded the franchise through a television story rather than a theatrical release.

Watts’ involvement extended beyond the series’ basic development. His work with Ford placed him among the creative team responsible for bringing a new story and group of characters into the established Star Wars universe.

The television series also marked a different type of franchise assignment from Watts’ previous work on the Spider-Man films. Rather than directing a theatrical superhero trilogy, he worked on a serialized Star Wars project designed for Disney+.

The upcoming movie represents another role within the same franchise. Watts is attached to direct the feature for Lucasfilm, giving him experience on both the television and theatrical sides of Star Wars.

The distinction is also relevant to the scope of his work. Skeleton Crew introduced Watts to the franchise through a television production, while the new project places him behind a feature film being developed for Lucasfilm.

Watts’ previous involvement with Skeleton Crew means he has already worked with the franchise’s characters, setting and creative framework before taking responsibility for the new movie.

The new assignment therefore follows a direct path from his earlier Star Wars television work to a feature-film directing role. His connection to the franchise began with Skeleton Crew and now extends to Lucasfilm’s next Star Wars movie.

Lucasfilm Has Not Announced Full Story Details

Lucasfilm has not announced an official episode title or full story details for the new movie. The project is currently identified through its director and writer, with Watts attached to direct and Kinberg writing.

Watts’ appointment follows his work on both the Spider-Man trilogy and Skeleton Crew, while Kinberg brings previous experience writing and producing major franchise films.

The new movie will add another feature project to the Star Wars slate under Lucasfilm.

Frequently Asked Questions

Who is directing the next Star Wars movie?

Jon Watts is attached to direct Lucasfilm’s next Star Wars movie. Watts previously directed the Tom Holland-led Spider-Man trilogy.

What Star Wars movie is Jon Watts directing?

Watts is attached to direct a new Star Wars feature film being developed by Lucasfilm. The project does not have an official episode title in the available details.

Who is writing the next Star Wars movie?

Simon Kinberg is writing the screenplay for the new Star Wars project. He is working alongside Watts, who is attached to direct.

Has Lucasfilm announced the new Star Wars movie’s title?

No official episode title is identified in the available project details. The film is currently being referred to as Lucasfilm’s next Star Wars movie.

Has Jon Watts previously worked on Star Wars?

Yes. Watts co-created the Disney+ series Skeleton Crew, giving him previous creative experience within the Star Wars franchise.

Ryan Murphy Completes Script for Potential Glee Reboot

Ryan Murphy has completed a script for a potential Glee reboot with co-creators Brad Falchuk and Ian Brennan. Murphy said he has also contacted around 10 original cast members, who expressed enthusiasm about the idea, although none had read the new script when he made the announcement.

Key Takeaways

  • Ryan Murphy said he had completed a script for a potential Glee reboot.
  • Brad Falchuk and Ian Brennan co-wrote the script with Murphy.
  • Murphy has contacted around 10 members of the original cast.
  • The cast members expressed enthusiasm about the potential reunion, according to Murphy.
  • Murphy said he plans to write additional scripts before deciding on the project’s next steps.

Ryan Murphy Completes the Glee Reboot Script

The potential Glee reboot moved into script development after Ryan Murphy said he had finished writing a new script with Brad Falchuk and Ian Brennan. The three creators worked together on the first two seasons of the original musical comedy and have now collaborated on the new material.

Murphy disclosed the development during an interview on September 23, saying he had completed the script shortly before speaking publicly about it. The announcement confirms that a written project exists for the potential return of the series.

The script does not yet represent a confirmed television series. Murphy said he intends to write additional scripts before deciding what should happen next with the project.

The current development therefore centers on the completed script and discussions with members of the original cast rather than a confirmed production schedule or series order.

Murphy previously discussed the possibility of revisiting Glee after seeing renewed interest in the series among younger viewers. His latest comments provide a more concrete development by confirming that he, Falchuk and Brennan have written a new script.

Murphy has also been involved in other projects built around returning performers and established television properties. For example, his American Horror Story cast reunion for Season 13 includes several longtime performers returning to the anthology series.

Brad Falchuk and Ian Brennan Rejoin Murphy as Writers

Falchuk and Brennan worked with Murphy on the first two seasons of Glee, making the new script a reunion of the show’s original creative team.

The trio’s involvement gives the potential reboot a direct connection to the original series at the writing stage. Murphy has not described the full story or characters planned for the new script in the announcement.

The three creators originally developed Glee as a musical comedy centered on a high school glee club and its members. The series premiered in 2009 and ran for six seasons through 2015.

The original show featured an ensemble cast that included Lea Michele, Cory Monteith, Naya Rivera, Dianna Agron, Matthew Morrison, Jane Lynch, Heather Morris, Chris Colfer, Kevin McHale, Jenna Ushkowitz, Darren Criss and Harry Shum Jr.

The new script’s existence establishes that Murphy, Falchuk and Brennan have returned to the creative process together. It does not establish that the same characters or full ensemble will appear in a new series.

Murphy has also indicated that he wants to develop more than one script before determining the project’s direction. That approach places the current script within an ongoing development process rather than a completed television production.

Original Glee Cast Members Express Interest in Reunion

Murphy said he has been in contact with around 10 members of the original Glee cast about the potential reboot.

According to Murphy, the performers had questions about the project but were enthusiastic about the idea of returning. Their discussions occurred before the cast members had read the new script.

Murphy specifically said that nobody he had spoken with had read the script at the time of his announcement. As a result, the reported enthusiasm concerns the possibility of a reunion rather than reactions to the completed story.

The distinction is important to the project’s current status. Original cast members have been contacted and have expressed interest, but there is no confirmed returning ensemble attached to the reboot based on Murphy’s announcement.

Other television revivals have also used original performers as part of their updated casts. The Baywatch reboot’s legacy casting provides another example of a returning actor being incorporated into a new version of an established television property.

The original cast remains closely associated with the series because the ensemble carried the story across its six-season run. The potential return of performers from that group would connect a new project with the characters and performers audiences saw in the original series.

Murphy’s conversations also show that the reboot discussions have extended beyond the writing team. However, the project remains dependent on further development and decisions about the script.

Murphy Plans Additional Scripts Before Moving Forward

Murphy said he wants to write additional scripts before determining the next stage of the Glee reboot.

His comments indicate that the completed script is one part of a broader development process. Rather than immediately moving the project into production, Murphy plans to create more material and assess the response, particularly from members of the original cast.

The approach also means that details about a potential cast, production timetable and distribution platform remain unsettled.

No series order was announced alongside Murphy’s disclosure. There was also no confirmed production start date or release date attached to the project.

For now, the central development is the completion of the first new script and the conversations Murphy has begun with former cast members.

The potential reboot follows Murphy’s earlier public comments about revisiting Glee. He previously said the show’s availability through streaming had introduced it to younger viewers and prompted him to consider a new incarnation.

Those earlier comments established the possibility of a return. The completed script provides a more specific creative step while leaving the project’s eventual production status undecided.

Glee Reboot Remains in the Script Development Stage

The Glee reboot remains in development after Murphy confirmed that a script has been completed and that he has discussed the potential project with around 10 original cast members.

Falchuk and Brennan’s participation gives the new script a direct connection to the original creative team. Their collaboration with Murphy also distinguishes the project from a revival developed without the show’s original creators.

The original series ran for six seasons from 2009 to 2015 and received multiple major television awards during its run, including six Emmy Awards and four Golden Globe Awards. Its ensemble included performers who later became widely recognized through their roles on the series.

The current project does not yet have a confirmed returning cast. Murphy’s comments establish that discussions have taken place, but the performers had not read the script when he announced its completion.

Murphy also has not announced a production schedule, release date or series order. His plan to write additional scripts means the project’s next stage will depend on further development.

For audiences following the potential return, the confirmed elements are the completed script, the involvement of Murphy, Falchuk and Brennan, and Murphy’s conversations with members of the original cast.

Frequently Asked Questions

Is the Glee reboot script finished?

Yes. Ryan Murphy said he had completed a script for a potential Glee reboot. He wrote it with Brad Falchuk and Ian Brennan.

Who wrote the new Glee reboot script?

Ryan Murphy, Brad Falchuk and Ian Brennan wrote the script. Murphy said the three previously worked together on the first two seasons of the original series.

Which original Glee cast members have been contacted?

Murphy said he has been in contact with around 10 original cast members. He did not publicly identify all of those performers in his announcement.

Is the original Glee cast confirmed to return?

No. Murphy said the cast members he contacted were enthusiastic about the idea, but none had read the new script at the time of his announcement.

Has the Glee reboot received a series order?

No series order was announced with Murphy’s disclosure. The project remains at the script-development stage while Murphy plans to write additional scripts.

Michael B. Jordan Covers Vogue Ahead of Milan Fashion Week

Michael B. Jordan appears on the cover of American Vogue’s October 2026 issue ahead of Vogue World Milano and Milan Fashion Week. The actor wears Dolce & Gabbana for the cover, photographed by Luis Alberto Rodriguez and styled by Carlos Nazario, adding a major fashion appearance to his current public profile.

Key Takeaways

  • Michael B. Jordan is the solo cover star of American Vogue’s October 2026 issue.
  • The cover was photographed by Luis Alberto Rodriguez and styled by Carlos Nazario.
  • Jordan wears a Dolce & Gabbana suit in the cover image.
  • The issue arrives ahead of Vogue World Milano and Milan Fashion Week.
  • Jordan’s Vogue appearance follows his Best Actor Oscar win for Sinners.

Michael B. Jordan Appears on Vogue’s October 2026 Cover

Michael B. Jordan is featured as the solo cover star of American Vogue’s October 2026 issue, placing the actor at the center of the magazine’s latest fashion coverage. The issue arrives ahead of Vogue World Milano and the September schedule for Milan Fashion Week.

The cover presents Jordan in a Dolce & Gabbana suit. Luis Alberto Rodriguez photographed the cover, while Carlos Nazario handled the styling.

The combination of Jordan, Rodriguez and Nazario brings together an established Hollywood actor, a fashion photographer and a stylist for the October issue. The cover places Jordan directly within Vogue’s fashion coverage as he prepares for an appearance connected to Vogue World Milano.

Jordan’s appearance also follows his Best Actor Oscar win for Sinners. The award adds a recent film milestone to the actor’s current public profile as he takes part in the fashion events surrounding Milan Fashion Week.

The Vogue cover provides a new fashion-focused appearance for Jordan while maintaining his connection to major entertainment and cultural events. His October issue feature arrives as international fashion attention turns toward Milan.

A similar magazine-cover development involving another major Hollywood actor was reported earlier this month, when Tom Cruise returned to the U.S. GQ cover for the first time in two decades.

Vogue Cover Connects Jordan With Milan Fashion Week

The timing of the Vogue issue is connected to Vogue World Milano, which opens Milan Fashion Week on September 22. Jordan’s cover therefore arrives immediately before the Milan event and places his Vogue appearance within the schedule surrounding one of the fashion calendar’s major international events.

Vogue World Milano is part of the activity surrounding Milan Fashion Week, giving Jordan’s Vogue cover an additional connection to the city’s fashion schedule. His Vogue appearance places his recent entertainment profile alongside the fashion coverage associated with Milan.

Jordan’s presence is particularly relevant to the issue because his career extends across film and fashion appearances. The Vogue cover provides a dedicated fashion presentation of the actor ahead of his participation in the Milan event.

The October issue also gives the Vogue audience a current image of Jordan at a point following his Oscar win for Sinners. That sequence places his film recognition and fashion coverage within the same period.

The Milan timing distinguishes the cover from a standalone magazine feature. The issue is positioned around Jordan’s participation in Vogue World Milano and the activities surrounding Milan Fashion Week.

Dolce & Gabbana Designs Jordan’s Cover Look

Jordan wears a Dolce & Gabbana suit for the American Vogue cover. The Italian fashion house provides the clothing featured in the cover image, linking the actor directly with a major Milan-based luxury fashion name.

The choice of Dolce & Gabbana also corresponds with the location of the upcoming fashion activities. Jordan’s appearance in the Italian label connects the cover styling with the fashion environment surrounding Milan Fashion Week.

Carlos Nazario styled Jordan for the cover. His role places the clothing, overall presentation and photographic setting within a coordinated editorial look for the October issue.

The cover image presents Jordan as the central subject rather than as part of a group or ensemble. That solo presentation gives the October issue a clear celebrity-fashion focus.

Jordan’s Dolce & Gabbana appearance adds another specific detail to the Vogue feature beyond the cover itself. The suit identifies the designer associated with the image, while Nazario’s styling establishes the fashion direction of the shoot.

Celebrity involvement in fashion can also extend beyond magazine appearances. Kaia Gerber launched her first Re/Done capsule collection, taking a direct creative role in a 60-piece fashion collaboration.

The cover therefore brings together Jordan’s celebrity profile and a defined luxury-fashion look for an issue released ahead of Milan Fashion Week. The styling is part of the magazine’s visual presentation of the actor for its October edition.

Luis Alberto Rodriguez Photographs the Vogue Cover

Luis Alberto Rodriguez photographed Michael B. Jordan for the October 2026 Vogue cover. The photographer’s work forms the visual basis of the issue’s principal cover image.

Rodriguez worked with Carlos Nazario, who styled Jordan for the shoot. Together, their contributions establish the photographic and fashion elements of the cover.

Jordan’s position as the sole subject keeps the image focused on the actor and his appearance for the October issue. The cover combines the photographic work of Rodriguez with the Dolce & Gabbana suit selected for Jordan.

The Vogue feature gives each contributor a defined role. Rodriguez is responsible for photographing the cover, Nazario for styling Jordan, and Dolce & Gabbana for the suit worn in the image.

These details identify the creative team behind the cover rather than leaving the image as an unidentified celebrity fashion appearance. They also provide the specific credits associated with the October 2026 issue.

The cover arrives shortly before Vogue World Milano, adding a direct connection between the editorial shoot and Jordan’s upcoming participation in the Milan fashion schedule. The timing places the finished Vogue image within the same period as his planned appearance in Milan.

Jordan Heads Into Vogue World Milano

Jordan’s Vogue cover comes ahead of his participation in Vogue World Milano, scheduled to open Milan Fashion Week on September 22. The event gives the actor a further connection to the fashion activities taking place in Milan.

His appearance follows the recent recognition he received for Sinners, for which he won the Best Actor Oscar. The Vogue cover consequently adds a fashion-focused appearance to a period already marked by a major film award.

The October Vogue issue presents Jordan through fashion photography, while Vogue World Milano places him within an event connected to the international fashion calendar. The two appearances provide separate but related parts of his public schedule.

For the Vogue cover, Jordan is photographed by Luis Alberto Rodriguez and styled by Carlos Nazario in Dolce & Gabbana. Those credits establish the specific creative team and fashion label involved in the October issue.

The Milan connection also gives readers a clear timeline for the cover. Vogue’s October issue arrives before Vogue World Milano and Milan Fashion Week, while Jordan’s participation places him among the personalities associated with the event.

The cover and the Milan appearance therefore form a sequence of public fashion activities centered on Jordan during September. His recent Oscar recognition for Sinners provides the immediate film context for the Vogue feature, while the Dolce & Gabbana styling and Milan schedule establish its fashion context.

Frequently Asked Questions

Who is on the cover of Vogue’s October 2026 issue?

Michael B. Jordan is the solo cover star of American Vogue’s October 2026 issue. The cover features him in a Dolce & Gabbana suit.

What is Michael B. Jordan wearing on his Vogue cover?

Jordan wears a Dolce & Gabbana suit for the October 2026 Vogue cover. Carlos Nazario styled the actor for the shoot.

Who photographed Michael B. Jordan for Vogue?

Luis Alberto Rodriguez photographed Michael B. Jordan for the October 2026 American Vogue cover. Carlos Nazario styled the shoot.

When is Vogue World Milano taking place?

Vogue World Milano opens Milan Fashion Week on September 22. Jordan’s Vogue cover appears ahead of his participation in the event.

What is Michael B. Jordan’s connection to Milan Fashion Week?

Jordan’s October 2026 Vogue cover arrives ahead of his participation in Vogue World Milano, which opens Milan Fashion Week. His cover appearance and event participation place him within the fashion activities surrounding the Milan schedule.

Kim Kardashian Opens Skims’ First London Flagship

Kim Kardashian attended the opening of Skims’ first international standalone flagship on London’s Regent Street during London Fashion Week, joining Skims co-founder Jens Grede and guests from music, film and fashion. The event brought together Central Cee, Troye Sivan, Tems, Kim Petras, Ellie Bamber and Alton Mason.

Key Takeaways

  • Kim Kardashian attended the opening of Skims’ first international standalone flagship on London’s Regent Street.
  • The event took place during London Fashion Week and included Skims co-founder Jens Grede.
  • Celebrity guests included Central Cee, Troye Sivan, Tems, Kim Petras, Ellie Bamber and Alton Mason.
  • Kardashian wore a Ludovic de Saint Sernin look before changing into a sculpted brown corset and maxi skirt.
  • Skims is preparing a collaboration with Ludovic de Saint Sernin scheduled for October 1.

Kim Kardashian Attends Skims’ First London Flagship Opening

Kim Kardashian attended the opening of the Skims London flagship on Regent Street during London Fashion Week. The event marked the opening of the brand’s first international standalone store.

Kardashian attended the event with Jens Grede, Skims’ co-founder. The gathering also brought together figures from music, film and fashion for the London opening.

The location places Skims’ physical retail presence on Regent Street, one of London’s established shopping destinations. The store’s opening was held during London Fashion Week, connecting the brand’s London launch with one of the city’s major fashion events.

Kardashian’s participation also connected the flagship opening directly with her role at Skims. She attended the event as the company marked its first international standalone retail location.

The London event centered on the new flagship and its opening activities, with Kardashian among the public figures attending the occasion.

Skims Establishes Its First International Standalone Store

The Regent Street location is Skims’ first international standalone flagship. Its opening gives the brand a dedicated physical retail location outside its existing market.

The store occupies 245–247 Regent Street. Its interior was designed by Rafael de Cárdenas and includes a large sculpture by Vanessa Beecroft.

The London store is part of Skims’ expansion into a permanent physical retail setting in an international fashion market. The flagship provides a dedicated location for customers to experience the brand in person.

The opening also involved Jens Grede, who co-founded Skims with Kardashian. Grede joined Kardashian for the London event as the brand marked the store’s arrival on Regent Street.

Coverage of celebrity entrepreneurship and fashion ventures also includes Kardashian’s role with Skims as an example of a celebrity-led business in the fashion and beauty sector.

The location was introduced during London Fashion Week, placing the store opening within the schedule of events surrounding the fashion industry’s London activities.

Celebrity Guests Join the London Fashion Week Event

The Skims London event attracted guests from several areas of entertainment and fashion. Central Cee, Troye Sivan, Tems and Kim Petras were among the music figures attending.

Actors and fashion figures were also present. Ellie Bamber and Alton Mason were listed among the guests at the event.

The guest list connected the store opening with established names from music, film and modeling. Their attendance placed the Skims event within the wider group of celebrity and fashion gatherings taking place during London Fashion Week.

The event also provided a public setting for Kardashian to appear alongside figures from entertainment and fashion. Kardashian’s presence was tied directly to the opening of the Skims flagship rather than a separate appearance.

Central Cee, Troye Sivan, Tems and Kim Petras represented different areas of contemporary music at the gathering. Ellie Bamber brought a film connection, while Alton Mason represented the modeling and fashion side of the guest list.

The mix of attendees gave the London opening a broad entertainment and fashion presence while keeping the Skims flagship at the center of the event.

Kim Kardashian Wears Ludovic de Saint Sernin for the Occasion

Kardashian attended the London event in a look by Ludovic de Saint Sernin. She first wore a Ludovic de Saint Sernin outfit before changing into a sculpted brown corset and maxi skirt.

Her clothing choices connected the Skims event with London’s fashion-week setting. The appearance combined Kardashian’s role at Skims with a designer look for the opening.

The event therefore included both the retail launch and a fashion component centered on Kardashian’s appearance. Her change of outfit was part of the presentation surrounding her attendance at the London flagship.

The designer connection also fits within existing coverage of celebrity fashion collaborations, which examines partnerships involving public figures and fashion labels.

Ludovic de Saint Sernin also has a direct connection to Skims’ upcoming activities. The brand is preparing a collaboration with the designer, adding another link between Kardashian’s London appearance and the fashion label.

Kardashian’s first look and subsequent change kept the focus on fashion during an event centered on Skims’ first international standalone store.

The appearance also placed Kardashian alongside other fashion and entertainment guests attending the Regent Street opening. The combination of the designer look, the flagship location and the London Fashion Week schedule made fashion a central element of the event.

Skims Prepares for Its Ludovic de Saint Sernin Collaboration

The London flagship opening preceded a Skims collaboration with Ludovic de Saint Sernin. The collaboration is scheduled for October 1.

The upcoming partnership provides a direct connection between the designer featured in Kardashian’s event look and Skims’ next fashion-related release.

The collaboration follows Kardashian’s appearance at the London flagship, where she wore Ludovic de Saint Sernin before changing into another look for the event. The designer’s involvement therefore extends beyond Kardashian’s clothing at the opening.

Skims’ London activities include both the new Regent Street flagship and the forthcoming collaboration. The store gives the brand a permanent international retail location, while the designer partnership adds another fashion-focused development to its schedule.

Kardashian’s participation links the two developments through her role with Skims. Her London appearance took place as the brand opened its first international standalone store and prepared for its collaboration with Ludovic de Saint Sernin.

The October 1 collaboration gives readers a specific upcoming date connected to the brand’s London-era fashion activities. The Regent Street store and the designer partnership represent separate Skims developments tied to the same period of Kardashian’s London Fashion Week appearance.

Frequently Asked Questions

Where is Skims’ first international flagship located?

Skims’ first international standalone flagship is located at 245–247 Regent Street in London.

When did Kim Kardashian attend the Skims London flagship opening?

Kim Kardashian attended the opening during London Fashion Week. The event marked the launch of Skims’ first international standalone store.

Who attended the Skims London flagship event?

Guests included Central Cee, Troye Sivan, Tems, Kim Petras, Ellie Bamber and Alton Mason. Skims co-founder Jens Grede also attended with Kardashian.

What did Kim Kardashian wear to the Skims London event?

Kardashian initially wore a look by Ludovic de Saint Sernin. She later changed into a sculpted brown corset and maxi skirt.

Selena Gomez Connects Rare Beauty to a Bigger Wellness Story

Selena Gomez and Rare Beauty are highlighting the brand’s mental-health and accessibility initiatives following Gomez’s appearance at Fast Company’s Innovation Festival in New York. Publicly released figures show that the Rare Impact Fund has raised more than $30 million, while separate accessibility research has helped shape aspects of the brand’s product design.

Key Takeaways

  • Gomez discussed Rare Beauty’s mental-health work at Fast Company’s Innovation Festival in New York on Sept. 17, 2026
  • Publicly reported figures indicate that the Rare Impact Fund has raised more than $30 million
  • Rare Beauty says it directs 1% of its sales to the Rare Impact Fund
  • Accessibility research conducted with Casa Colina involved 57 participants with hand or arm disabilities
  • The fourth Rare Impact Fund Benefit is scheduled for Oct. 14 in Los Angeles

Selena Gomez and Rare Beauty Put Mental Health in Focus

Selena Gomez appeared with Elyse Cohen, Rare Beauty’s chief impact officer and president of the Rare Impact Fund, at Fast Company’s Innovation Festival in New York.

The discussion brought renewed attention to the Rare Impact Fund, which supports organizations working in youth mental-health services and education. Fast Company reported that the fund has raised more than $30 million and works with 30 nonprofit partners across five continents.

The same report said programs supported by the fund have reached about 3.5 million young people and helped train approximately 208,000 educators. Those figures are based on information associated with Rare Beauty and the Rare Impact Fund and describe the scale of programs supported rather than guaranteed individual outcomes.

Gomez described Rare Beauty as “super mission driven” during the festival discussion. The company says 1% of its sales is directed to the Rare Impact Fund, while additional support comes from foundations, companies, individuals and other contributors.

The fund has set a broader goal of mobilizing $100 million for youth mental-health services and education. That figure represents a stated fundraising objective rather than money already raised.

The initiative has remained part of Rare Beauty’s public identity as the business has continued introducing products and expanding its retail presence. The company’s wider Rare Beauty expansion has also placed greater attention on how its commercial operations and social-impact programs sit alongside one another.

Accessibility Adds Another Layer to Rare Beauty’s Wellness Focus

Rare Beauty has also connected its broader inclusion strategy with product usability.

In 2023, the Casa Colina Research Institute conducted a study for the company involving 57 participants with upper-extremity disabilities linked to conditions including stroke, spinal cord injury, traumatic brain injury and other neurological or orthopedic conditions.

Participants evaluated seven Rare Beauty products, with researchers examining factors including grip, maneuverability, packaging design and applicators. The study was intended to identify features that could make some products easier or more difficult to use for people with certain hand and arm limitations.

Rare Beauty later incorporated findings from that work into its Made Accessible Initiative. The company has said the research is intended to help inform future packaging decisions.

The brand has also acknowledged that accessibility needs differ widely and that a study involving a limited group cannot represent every potential user experience. That qualification keeps the initiative focused on specific design considerations rather than suggesting that every product will work equally well for every consumer.

The accessibility work became more visible in 2026 with the release of the True to Myself Natural Matte Longwear Foundation. The product launched in April with 48 shades and packaging designed with usability considerations in mind.

Public coverage of the launch noted features including a pump mechanism and packaging intended to be easier to handle for some users. Rare Beauty has presented those features as part of an ongoing effort to consider accessibility during product development rather than as a universal solution.

That distinction also separates the brand’s cosmetics products from its mental-health initiatives. Rare Beauty does not position makeup as health care. Instead, the company places product accessibility and mental-health support within a broader brand framework centered on self-expression, usability and access to resources.

The October Benefit Extends Attention to the Rare Impact Fund

The next major public event connected with the initiative is the Rare Impact Fund Benefit, scheduled for Oct. 14 at the Hollywood Palladium in Los Angeles.

Rare Beauty announced that Gomez is expected to host the fourth annual event, with actor and comedian Sean Hayes scheduled to serve as emcee.

According to the event announcement, proceeds are intended to support organizations working in youth mental-health services and education. The benefit also forms part of the Rare Impact Fund’s broader effort to work toward its stated $100 million mobilization goal.

The event follows Gomez’s September appearance in New York and keeps the Rare Impact Fund visible during a period when Rare Beauty is also emphasizing accessibility and product development.

For Selena Gomez and Rare Beauty, the current wellness narrative is built around several documented initiatives rather than a single campaign. The Rare Impact Fund, accessibility research and the upcoming benefit each represent different parts of the company’s stated approach to mental-health support, inclusion and product usability.

Frequently Asked Questions

What is the Rare Impact Fund?

The Rare Impact Fund is an initiative associated with Rare Beauty that supports organizations working in youth mental-health services and education. Rare Beauty says it directs 1% of its sales to the fund, which has a stated goal of mobilizing $100 million.

How much has the Rare Impact Fund raised?

Public reporting in September 2026 placed the amount raised at more than $30 million. The figure reflects reported fundraising to date and is separate from the fund’s longer-term $100 million goal.

How does accessibility fit into Selena Gomez and Rare Beauty?

Selena Gomez and Rare Beauty have linked accessibility to product design through the company’s Made Accessible Initiative. Research conducted with Casa Colina examined factors such as grip, packaging and applicators among participants with hand and arm disabilities.

When is the next Rare Impact Fund Benefit?

The fourth annual Rare Impact Fund Benefit is scheduled for Oct. 14, 2026, at the Hollywood Palladium in Los Angeles. Gomez is expected to host the event, while Sean Hayes has been announced as emcee.

Tom Cruise Discusses Digger and His GQ Return

Tom Cruise has discussed his role in Digger, his approach to filmmaking and his continued commitment to theatrical cinema in a new GQ interview. The September 2026 feature also marks Cruise’s return to the U.S. edition of the magazine’s cover for the first time in two decades.

Key Takeaways

  • Tom Cruise stars as oil magnate Digger Rockwell in Digger.
  • Alejandro G. Iñárritu directs the upcoming film.
  • Cruise discussed his filmmaking approach and expectations for collaborators.
  • Cruise spoke about his preference for theatrical cinema as a communal experience.
  • The GQ feature marks Cruise’s first U.S. edition cover for the magazine in 20 years.

Tom Cruise Discusses His Role in Digger

Tom Cruise stars as oil magnate Digger Rockwell in Digger, an upcoming film directed by Alejandro G. Iñárritu. Cruise discussed the project during a September 2026 interview with GQ, providing details about his work on the film and his approach to taking on the role.

The interview places Digger at the center of Cruise’s latest film work. Rather than discussing only the character, Cruise also used the conversation to address his broader approach to making movies and working with filmmakers and collaborators.

The role of Digger Rockwell gives Cruise a different character to discuss as he prepares for the film’s release. The project is directed by Iñárritu, establishing a direct connection between Cruise and a filmmaker known for directing feature films.

Cruise’s participation in the GQ interview also connects the film to a broader discussion of his career as an actor and filmmaker. His comments covered both the production of Digger and his views on the moviegoing experience.

The discussion of Cruise’s latest project fits into the wider coverage of major actors appearing in upcoming films, including Hugh Jackman’s recent film premiere.

Alejandro G. Iñárritu Directs the Upcoming Film

Alejandro G. Iñárritu is directing Digger, with Cruise playing Digger Rockwell. The director and actor are therefore working together on the upcoming feature, which gives the project a central place in Cruise’s current film activities.

Cruise discussed his work with filmmakers as part of the GQ conversation. His comments included his expectations for collaborators and his approach to film sets.

The discussion provides production context for Digger without separating the film from Cruise’s own comments about filmmaking. His remarks focused on the standards he brings to movie production and the way he works with people involved in a project.

Cruise also addressed his reputation for being demanding on film sets. He said he expects a great deal from collaborators and makes those expectations clear before production begins.

Those comments provide a direct account of Cruise’s working approach. They also place his involvement in Digger within a discussion of the practical demands of making a feature film.

The director-led aspect of the project also connects with other coverage of major filmmakers and actors, such as George Clooney’s Venice film honor, which examined another major film figure’s work across acting and directing.

Cruise Details His Approach to Filmmaking

Cruise used the interview to discuss his approach to filmmaking and the expectations he sets for collaborators. His comments addressed the working environment on film productions and the level of commitment he expects from people working with him.

The actor also discussed his continued preference for theatrical cinema. He described movie theaters as a communal experience, distinguishing the shared setting of a cinema from watching a film independently.

Cruise said he has nothing against television or streaming. His comments instead focused on his preference for the theatrical format and the experience of seeing a film with an audience.

The distinction is relevant to Digger because Cruise is discussing the project while also explaining his position on the way films are presented to audiences. His comments connect his work on the new film with his stated preference for theatrical moviegoing.

The interview therefore covers more than Cruise’s performance in Digger. It also records his views on the production process and the viewing format he continues to favor.

Cruise’s Comments on Film Sets

Cruise addressed the expectations he places on people working on his film sets. He said collaborators understand those expectations before production begins.

His comments provide a direct explanation of his working methods rather than relying on outside descriptions of his approach. The discussion formed part of the wider interview surrounding Digger and his return to GQ.

Tom Cruise Returns to the GQ U.S. Cover

The September 2026 GQ feature marks Cruise’s return to the U.S. edition of the magazine’s cover for the first time in 20 years. The cover appearance accompanies the interview about Digger and Cruise’s filmmaking work.

The feature gives Cruise an opportunity to discuss his current film project while also addressing his approach to the industry. The U.S. edition cover adds a magazine-profile component to the coverage surrounding Digger.

Cruise’s return to the U.S. GQ cover is separate from the film’s role in the interview but forms part of the same September 2026 feature. The publication uses the interview to examine Cruise’s work and his views on filmmaking.

The timing connects the cover appearance directly with Cruise’s upcoming role in Digger. His comments about the film, production and theatrical cinema provide the substantive focus of the interview.

The feature also places Cruise back on a major U.S. magazine cover after a two-decade gap. His previous U.S. GQ cover was 20 years earlier, according to the September 2026 feature.

Digger Adds a New Role to Cruise’s Film Career

Cruise’s role as Digger Rockwell adds another character to his filmography through a project directed by Iñárritu. The actor’s September 2026 interview centers on the film while also covering his working methods.

The film gives Cruise an opportunity to discuss a specific character and production alongside his broader comments about filmmaking. His participation in the project is also the basis for his latest GQ feature.

Cruise’s comments about theatrical cinema provide additional context for the upcoming movie. He said he prefers the communal experience of watching films in theaters while making clear that his preference does not mean he is opposed to television or streaming.

The interview also documents Cruise’s expectations for collaborators. He said he is demanding on film sets and communicates those expectations before production starts.

Together, the comments provide details about Cruise’s involvement in Digger, his relationship with the filmmaking process and his preference for theatrical presentation. The September 2026 GQ feature brings those subjects together in a profile tied to his upcoming film.

Frequently Asked Questions

What is Tom Cruise’s role in Digger?

Tom Cruise plays Digger Rockwell, an oil magnate, in Digger. The film is directed by Alejandro G. Iñárritu.

Who directed Digger?

Alejandro G. Iñárritu directs Digger. Tom Cruise stars in the film as Digger Rockwell.

What did Tom Cruise discuss in his GQ interview?

Cruise discussed Digger, his approach to filmmaking and his expectations for collaborators on film sets. He also spoke about his preference for theatrical cinema.

When did Tom Cruise last appear on the U.S. GQ cover?

The September 2026 feature marks Cruise’s return to the U.S. edition of GQ cover for the first time in 20 years.

What did Tom Cruise say about theatrical cinema?

Cruise said he prefers theatrical cinema because he views watching a film in a theater as a communal experience. He also said he has nothing against television or streaming.

Lady Gaga’s Motherhood Begins With a Quieter First Chapter

Lady Gaga’s motherhood is beginning with unusual restraint. The singer and actor has welcomed her first child with fiancé Michael Polansky, but the couple has not publicly released the baby’s name, sex or exact birth date. The quieter rollout matters because Gaga had already described family, safety and a child’s independence as central to the life she wanted to build.

Key Takeaways

  • Lady Gaga and Michael Polansky have welcomed their first child, according to multiple reports published on Sept. 11 and Sept. 12, 2026.
  • The couple has not publicly disclosed the baby’s name, sex or exact birth date.
  • Gaga previously said that a “safe and happy childhood” would become her top priority as a parent.
  • The new family chapter follows the April 13 end of The Mayhem Ball at Madison Square Garden.
  • Gaga has repeatedly said she wants future children to form their own identities rather than be defined by her public career.

A Private Start Defines Lady Gaga’s Motherhood

Lady Gaga has entered motherhood after years of speaking openly about wanting children, but the first public signs of that change have arrived with relatively little information.

Reports that Gaga and Polansky had welcomed their first child emerged after the couple was photographed with a baby in Northern California. Vogue and other outlets reported the news on Sept. 11, while follow-up reporting said the couple had not released basic identifying details about the child.

Gaga and Polansky have not issued a detailed public announcement, and reporting does not establish the baby’s exact birth date. Coverage also has not confirmed the circumstances of the child’s arrival. A careful account therefore stops at what is supported: the couple has welcomed a first child and has kept most details private.

The approach is consistent with a relationship that has often kept major personal moments separate from routine publicity. Gaga confirmed her engagement to Polansky in 2024 after he proposed in April of that year, according to Vogue. The couple met in 2019 and became close during the pandemic period.

Gaga Had Already Set Priorities for Parenthood

The most useful context for Lady Gaga’s motherhood comes from Gaga herself.

In an October 2025 appearance on The Late Show With Stephen Colbert, she described motherhood as the next role she hoped to take on.

“What I really want is to be a mom. That’s my next starring role, I hope,” Gaga said.

Months earlier, Gaga said a future child’s “safe and happy childhood” would become her “No. 1 priority.” She also pushed back on the idea that becoming a parent would necessarily mean abandoning music, saying she would first need to understand what her child needed.

Those comments make the current privacy around the baby less surprising. They frame parenthood not as an extension of Gaga’s celebrity identity, but as a responsibility likely to affect how she orders work, family and public exposure.

The same theme appeared in a January 2025 ELLE interview. Gaga said she and Polansky had discussed “allowing our kids to be their own people.” She also said she did not want to tell future children what her artistry should mean to them.

That position places autonomy at the center of how Gaga has spoken about family. It also gives clearer context to the limited information surrounding the baby now.

The First Child Arrived After a Major Touring Cycle

Gaga’s first child arrived after one of the most visible stretches of her recent career.

The Mayhem Ball, launched in 2025 in support of Mayhem, concluded on April 13, 2026, at Madison Square Garden in New York. The final show included a dedication to Polansky and closed a tour cycle that had kept Gaga on a highly public performance schedule.

The timing creates a sharp change in pace. Since the tour ended, public attention has moved from concerts and releases toward a family development that Gaga and Polansky have so far handled with far fewer details.

That contrast is notable across celebrity culture, where personal milestones can quickly become extensions of public-facing work. Some public figures have incorporated early parenthood directly into visible projects, including Olivia Culpo, whose first year of motherhood informed a baby collection released in 2026.

Gaga’s approach, at least at this stage, appears different because the child has not been introduced through a campaign, product or formal social-media reveal.

The question of balancing public attention and family life extends across celebrity culture. Amal Clooney, for example, has discussed managing that tension while raising a family.

Privacy Now Shapes the Public Story

Lady Gaga’s motherhood is notable not because of a large public announcement, but because of the boundaries surrounding it.

Gaga and Polansky are first-time parents. Their child has been seen with them publicly. The name, sex and exact birth date have not been disclosed.

That limited record makes restraint important in coverage. There is no confirmed basis to speculate about the baby’s birth circumstances, and earlier comments by Gaga provide enough context without filling in details the couple has chosen not to share.

Her own statements point to three consistent priorities. She wanted to become a mother. She wanted her child to have a safe and happy upbringing. She wanted future children to develop identities separate from assumptions attached to her career.

For a performer whose work has long depended on visibility, scale and carefully constructed public imagery, early parenthood is beginning on different terms. Lady Gaga’s motherhood is currently being defined less by a formal reveal than by what remains outside the public record. That boundary remains intact today.

Frequently Asked Questions

When did Lady Gaga become a mother?

Reports that Lady Gaga and Michael Polansky had welcomed their first child were published on Sept. 11, 2026. The baby’s exact birth date has not been publicly disclosed.

Who is the father of Lady Gaga’s first child?

Michael Polansky, Gaga’s fiancé, is the child’s father. Gaga and Polansky met in 2019 and confirmed their engagement publicly in 2024.

Has Lady Gaga shared her baby’s name?

No. The baby’s name, sex and exact birth date have not been publicly disclosed in the reporting reviewed for this article.

What has Lady Gaga said about motherhood?

Lady Gaga’s motherhood plans were discussed publicly before the baby’s arrival. She said she wanted a child to have a safe and happy childhood and told ELLE that she and Polansky wanted their children to be their own people.

Will Lady Gaga stop making music after becoming a mother?

Gaga has not said she plans to leave music. In earlier comments about parenthood, she said music could remain part of family life while also emphasizing that she would need to respond to what her child needed.

Celebrities Attend 2026 U.S. Open Men’s Final

The 2026 U.S. Open celebrities included Brad Pitt, Pink, Martha Stewart and Chris Pine as Alexander Zverev defeated Ben Shelton in New York on September 13. The final combined a bid to end American men’s Grand Slam title drought with celebrity appearances spanning film, music, fashion and professional sports.

Key Takeaways

  • Brad Pitt, Pink, Martha Stewart and Chris Pine attended the men’s final at Arthur Ashe Stadium.
  • Alexander Zverev defeated Ben Shelton 6-3, 7-6(2), 5-7, 6-2.
  • Shelton sought to become the first American man to win a Grand Slam singles title since Andy Roddick in 2003.
  • Finals-weekend entertainment included a September 12 afterparty headlined by Zedd.

2026 U.S. Open Celebrities Gather for Shelton’s Title Bid

Brad Pitt, Pink, Martha Stewart and Chris Pine joined the audience at Arthur Ashe Stadium as Ben Shelton pursued his first Grand Slam singles championship. The tournament’s official celebrity gallery identified the guests at the September 13 final, alongside Katie Holmes, Courteney Cox and Jalen Brunson.

The match ended with Alexander Zverev claiming the title in four sets. Shelton’s defeat extended the American men’s wait for a major singles champion, which dates to Andy Roddick’s 2003 U.S. Open victory.

For Pitt, the appearance placed the actor in the audience during a weekend centered on tennis. His screen collaborations include Wolfs with George Clooney, a 2024 Venice premiere that forms part of George Clooney’s Venice history.

Pink attended with her son, Jameson, according to People’s September 14 photo roundup. The publication documented the pair at the men’s singles final, adding a family appearance to the day’s celebrity arrivals.

Fashion Figures and Knicks Players Join the Audience

Martha Stewart appeared on the tournament’s blue carpet with Truman Stewart. Other guests documented by tournament photographers included Vera Wang, Olivia Palermo and Johannes Huebl, establishing a fashion presence alongside the actors and recording artists.

Ralph Lauren also hosted guests during finals weekend. Vogue identified Chris Pine, Eiza González and musician Sombr among Sunday’s attendees, with Rami Malek and Spike Lee returning after attending the women’s final.

The fashion calendar provided a separate backdrop to the stadium appearances. Earlier that week, Kaia Gerber’s Re/Done collection introduced a 60-piece collaboration developed with designer Meredith Kahn.

Professional basketball was represented, too. Jalen Brunson, Josh Hart and Landry Shamet were among the New York Knicks players attending the championship match, according to the New York Post. Brunson attended with his wife, Ali, while Shamet appeared with Cameron Aimonetti.

Zverev Stops Shelton’s Comeback in Four Sets

Alexander Zverev won the opening set 6-3 and took the second-set tiebreak 7-2. Shelton responded by winning the third set 7-5, forcing the championship into a fourth.

Zverev broke immediately in the fourth set and went on to win it 6-2. The victory delivered his first U.S. Open singles title and his second major championship of the year, following Roland Garros.

The tournament’s match report recorded Zverev winning 85% of points behind his first serve. That effectiveness helped him close out the final after Shelton’s third-set recovery. Shelton was appearing in his first Grand Slam final. His run brought an American contender to the championship match, but the four-set defeat left Roddick as the country’s most recent men’s major singles champion.

Finals Weekend Includes Music and Fan Events

The entertainment schedule extended beyond the celebrities watching from Arthur Ashe Stadium. On September 12, Zedd headlined the U.S. Open Finals Fan Fest Afterparty at Louis Armstrong Stadium.

Tournament photographs also documented Yvonne Orji hosting Finals Fan Fest and spectators gathering to watch the women’s final. These events gave the closing weekend a defined program of music, hosting and communal match viewing alongside the championship sessions.

Open celebrities attending Sunday’s final, the sporting result remained Zverev’s four-set victory. The championship ended Shelton’s attempt to break a 23-year American men’s Grand Slam singles title drought.

Frequently Asked Questions

Which celebrities attended the 2026 U.S. Open men’s final?

The 2026 U.S. Open celebrities included Brad Pitt, Pink, Martha Stewart and Chris Pine. Katie Holmes, Courteney Cox and Jalen Brunson also appeared in the tournament’s official guest gallery.

Who won the 2026 U.S. Open men’s final?

Alexander Zverev defeated Ben Shelton 6-3, 7-6(2), 5-7, 6-2. It was Zverev’s first U.S. Open singles title and his second major championship of 2026.

When and where was the men’s final played?

The final took place on September 13, 2026, at Arthur Ashe Stadium in New York. Zverev won in four sets after Shelton took the third.

What entertainment took place during finals weekend?

Zedd headlined the September 12 afterparty at Louis Armstrong Stadium. Finals Fan Fest also included hosting by Yvonne Orji and a gathering for spectators watching the women’s final.